by Andy SmithPosted on

In En Iwamura’s recent show at Ross+Kramer Gallery’s East Hampton venue, the artist explores the concept of “Ma,” a philosophical Japanese concept focusing on spatial awareness between entities. His vibrant creations, with their distinct structure and playfulness, give viewers the chance to consider Ma with his creatures.

by Andy SmithPosted on

Philadelphia’s Drew Leshko has been lauded for his miniatures depicting urban storefronts and objects, crafted in paper and wood. In the sculptor’s “Signs” series, in particular, we find the architecture of signage given an accurate and intimate portrayal. The artist recently shared some of those recent markers in a show with at Paradigm Gallery + Studio. (In 2016, we visited the artist’s studio, and you can find that story here.)

by Andy SmithPosted on

The sculptures of Federico Clapis often play with our tether to technology, from the womb to the modern professional. The former stage, in particular, is where we find some of the artist’s most provocative work. He recently unveiled the above piece, a massive bronze figure, in London.

by Andy SmithPosted on

With Patricia Piccinini’s current exhibition at Arken Museum of Modern Art in Denmark, the sculptor’s hyperrealistic creations carry a surprising intimacy. Running through Sept. 8, “A World of Love” offers figures and forms across several years from the artist. She was last featured on our website here. (Museum photographs by David Stjernholm.)

by Andy SmithPosted on

Geng Xue’s ceramic sculptures, with their traditional coloring and textures, appear as beings evolving and emerging from our shelves. She’s used these creations in multimedia exhibition and even filmmaking, animating them into mythology-inspired narratives. As she creates representations of humanity, Xue seems to be reflecting on our own fragility.

by Andy SmithPosted on

In a major installation at Tolarno Galleries in Melbourne, Christopher Langton built his own immersive system of celestial bodies, robots, and organisms resembling viruses and fungi. “The hyperreal manifestation of Langton’s own recent experiences beset by life-threatening disease and infection, ‘Colony’ beckons us to consider that we are all multi-cellular symbiotic organisms, negotiating a precarious shared ecology,” the gallery says.