Diana Al-Hadid’s ghostly sculptures, which take influence from historical architecture, mythology, and beyond, are currently inhabiting both a gallery at Frist Art Museum and outdoor gardens at Cheekwood in concurrent exhibitions in Nashville. “Subliminations” collects varying types of work from the artist, with both figurative sculpture and wall reliefs. Above and below interior photos are by John Schweikert.
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“nfluenced by a wide range of sources, including art, history, and literature of both Western and Eastern traditions, Islamic calligraphy, ancient architecture, and cartography, Al-Hadid creates impressionistic meditations on ruination and renewal,” the museum says. “Many of Al-Hadid’s sculptures appear suspended in a state of construction or collapse.”
Find Al-Hadid on the web here, and read more about her exhibitions on Frist Art Museum’s site. See more of Al-Hadid’s work outside of these exhibitions below.
Tom Biddulph and Barbara Ryan
English photographer Eadweard Muybridge became a pioneer of capturing movement when he took position on a popularly-debated question of the day: his photographic sequences proved that all four feet of a horse were inexplicably off the ground at the same time while trotting. Late Dutch artist 
Seattle based sculptor 
Across her work in sculpture, photography, installation, and performance,