In Kate MacDowell‘s recent work, subtle aspects of the animals she sculpts subvert expectations. Some of MacDowell’s new pieces are part of the new group show “Subversive Suburbia” at Mindy Solomon Gallery, kicking off on Friday. Her porcelain creatures and plantlife have long looked at both vulnerability and power of the natural world. MacDowell was last featured on HiFrucotose.com here.
With Crystal Morey‘s newest handmade porcelain sculptures, the artist takes influence from 18th century European art history. “Lush Anthesis,” a body of work in a new show at Modern Eden Gallery in San Francisco, contains hybrid creations made from humans, flora, and fauna. Morey was last featured on HiFructose.com here.
Kate MacDowell‘s handsculpted, porcelain creatures and plantlife look at both the vulnerability and power of the natural world. The artist says she choses “porcelain for its luminous and ghostly qualities as well as its strength and ability to show fine texture.” MacDowell is featured in the Hi-Fructose Collected 4 boxset.
Sergei Isupov’s figurative porcelain and stoneware sculptures use the material in differing ways. The artist sometimes uses the surface to create 2D renderings, and elsewhere, the characters are three-dimensional. More recently, some of the works do both on the same piece.
Israeli artist Zemer Peled uses slivers of porcelain to emulate shapes and forms of the natural world, from feathers to leaves and petals. The result is something otherworldly, blending hues and patterns for something both familiar and strange. The delicate and organic constructions defy their actual sharp, hardened nature. These works come in differing sizes, from the size of common houseplants to towering over viewers, all made from thousands of pieces of porcelain.
Sculptor and ceramics artist Johnson Tsang, based in Hong Kong, creates surreal, spellbinding faces in porcelain. Dramatic and often humorous, these characters are warped in varying emotions, whether it’s a distorted, yet intimate kiss, total relaxation while being massaged, or contorted far behind comfort. Two series from this year, “Lucid Dream” and “Stillness,” show just how wide-ranging the artist’s imagination can be, all using the human face as its foundation.
Tsang’s work last appeared on HiFructose.com here.