Menu
The New Contemporary Art Magazine

The Recent Immersive Installations of Tracey Snelling

Tracey Snelling's installations are immersive blends of sculpture, video, and photography, her makeshift buildings containing surprises in their windows and corners. Her recent, massive construction at the 58th Venice Biennale reflects on her experiences living in China, in particular. Videos shown within offer peeks into her experiences with friends; structures are inspired by actual places she visited.

Tracey Snelling’s installations are immersive blends of sculpture, video, and photography, her makeshift buildings containing surprises in their windows and corners. Her recent, massive construction at the 58th Venice Biennale reflects on her experiences living in China, in particular. Videos shown within offer peeks into her experiences with friends; structures are inspired by actual places she visited.

https://www.instagram.com/p/By8rqrKhtrd/

“Tracey Snelling gathers information through the process of wandering, observing, participating, and documenting,” the project says. “Not concerned with exact replication, Snelling creates a China-inspired world comprised of her own images and video, as well as found media, including a Chongqing rap video by the artist’s friend Jin Cheng. She gathers props and paraphernalia, placing trophies and Tsingtao beer cans on a large tenement of buildings, transforming it into a display case for her souvenirs.”

See more of her work below and other projects on her site.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
American artist Joel Morrison creates contemporary composite sculptures by transforming ordinary objects into shiny, new pieces of art. The artist encases shopping carts, balloons, anvils, clothing, bullets, and other items in stainless steel, giving them new life in their smooth and highly polished forms. His creations, which the artist describes as "a collage of scenarios", exist somewhere between the realms of pop, surrealism and classicism, playing with different visual tropes of art history and engaging in conversation with a range of artists and genres within the Western art canon.
Gosia, a Poland-born, Toronto-based sculptor, creates feminine figures with touches of the surreal, whether reflecting the natural world or expressions that extend from inside of the characters themselves. Each of these sculptures contain both elegance and emotional complexity, often containing a new sense of drama at each angle. The artist was featured in Hi-Fructose Vol. 41, and she was last mentioned on HiFructose.com here.
Rainbow-colored mannequin legs, animal bones, skulls, and gold- these are just a few of the materials used in John Breed's eclectic installations. If his choice of medium sounds frenzied, it might stem from his creative background. Now based in the Netherlands, Breed received training from a calligraphy master in Kyoto, Japan, before he moved to New York to take on graffiti, paint frescos in Rome, and study landscape painting in China. A world traveler and natural born experimenter, every piece that Breed creates is a culmination of his extensive skill set.
Azerbaijani artist Faig Ahmed draws from the rich tradition of Middle Eastern carpet weaving to spin surreal creations that seem to defy physical laws — and the staticness of cultural relics. Sometimes his carpets appear to melt, their patterns dissolving into a pool of swirling colors like an oil slick, and other times they become three-dimensional, rising up in sharp spikes that defy the two-dimensional form. These are not carpets to be walked upon. Since we introduced Ahmed on the blog last May, he has created a new body of work that will debut at Cuadro Gallery in Dubai on September 14. A unique space in Dubai's financial center, Cuadro is a non-profit gallery where Ahmed recently completed an artist residency. Take a look at some photos from Ahmed's studio and his new works below.

Subscribe to the Hi-Fructose Mailing List