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The New Contemporary Art Magazine
The hues in Cowan's work are distinct, matched and paired among disparate findings from various locales. Read Andy Smith's full article on this unique glass artist by clicking above...
Using striking symbolic language that seems to drift from subconscious realms, Arghavan Khosravi commands the subjects of her vibrant, sculptural paintings. Read Zara Kand's full article on the artist by clicking above!
Sam Jinks’ work hits like a shot to the body. There’s a sudden impact, and it bruises the most important organs. The uneasy feeling settles in and deepens over time. Read the full article by Joseph Williams by clicking above.
A sculpture or painting created by Jen Stark often functions as a vehicle—an entry point to some technicolor dreamworld. Read all about the artist from writer Andy Smith by clicking above.
While words like “bust” or “monument” come to mind to describe Kaju Hiro’s sculptures, the artist simply refers to them as “portraits.” Read the full article on the artist by clicking above.
Rammellzee was a polymath. Shortly following his start in graffiti in the early ‘70s, tagging trains in his hometown, Far Rockaway in Queens, he began developing a theory about life and liberation through controlling letterforms, transforming words and thought into a new kind of warfare against those that use information to control... Read the full article on the artist by clicking above! (photo by Joshua White, courtesy of the Estate of Rammellzee and Jeffrey Deitch, Los Angeles) Los Angeles)
Adam Parker Smith takes famed—perhaps infamous—sculptures from Greco-Roman antiquity and squishes them. It’s in their squashing that new meanings, and new questions, rise to the surface. Read Michelle Robertson's full article by clicking the above image.
ear the dawn of the twenty-first century, Brian Dettmer was primarily a painter. But one day he embarked on a series of works where he applied the torn pages of newspapers and books to his canvases. “I liked the idea that the information actually existed there on the canvas, even though it wasn’t really readable,” he recalls on a recent phone call. “It became more of a visual archive.” Those collaged canvases led to sculptures made from stacks of books, which he would carve in ways where the alterations were not obvious until the viewer came close to the piece. While making one such sculpture, Dettmer noticed a landscape inside a book, carved around it and peeled back more pages. As he did that, a new figure emerged. “That was my eureka moment when I realized that this was an exciting process,” says Dettmer. “At the time, and even more so now, it seemed to make sense.” Twenty years later, Dettmer is best known for his elaborate book sculptures that have appeared in galleries, museums and universities across the United States. Read Liz Ohanesian's full article on the artist by clicking above.
The only softness to be found in the sculptures of Tamara Kostianovsky is the material. Using upcycled fabric mostly found from items in her own home—old T-shirts, worn-out sweaters, kitchen rags—Kostianovsky creates colorful sculptures that deal in death. Read the full article by Emilie Murphy by clicking above.
Kate MccGwire creates spellbinding, darkly sensual sculptures by layering feathers over serpentine structures. Read Kirsten Anderson's full article on the artist by clicking above, with photos courtesy of Tessa Angus 
Though represented in a signature mounted or freestanding taxidermy style, Fosik’s work is less about the animal in the form and more about the culture it represents. Inside these colorful, twisted, anthropomorphic creatures is a hint of humanity, a tug at the heartstrings of our own realities. Click Above to read Natasha Van Duser's full article on the artist.
Paolo Del Toro has been quickly gaining recognition for his large, felt sculptures of faces that come alive with exaggerated features caught in active poses.Click above to read all about his unique approach to creating large-scale felted sculptures.
Take a dive into the intricate sculptures of Katsuyo Ayoki with this article by Joseph Williams, just click the image above!
Discussing Haroshi's work is impossible without having a conversation about skateboarding. The Japanese artist's wood sculptures—objects composed of skate decks that look as if they have been melted into new forms through an obscure alchemy—balance loud, in-your-face subject matter with painstakingly laborious craft. Read all about the artist by clicking above!
Brett Douglas Hunter is a “do-it-yourself guy.” In fact, he admits to missing this interview because he was working on his car. “I can’t stand to take it anywhere to get fixed,” he says. “I’ll fix it myself.” Read Liz Ohanesian's full article on the artist by clicking above!
In his latest “Trash Talking” exhibition, staged in a converted gas station now art space, Leavitt takes on American brans, consumer culture and crafts them out of packaging from other branded products. We interviewed the artist for a hifructose.com exclusive. Click above to read it.
The concept of the Wunderkammer, aka The Cabinet Of Curiosities has been an artistic inspiration for some time, however a new show opening in November by Ryan Matthew Cohn and Jean Labourdette takes it up a notch with an exceptional show of sculptures and paintings based thematically on the subject. Click to read the new Hi-Fructose exclusive interview.
Former illustrator turned full-time painter Gregory Hergert’s work has been described as “urban Surrealism”. He paints non-traditional themes in a traditional manner, yet allows the medium to shine through the often brutal settings depicted in his work.
Mari Katayama's photography uses her own body as one of her materials. Born with a rare congenital disorder, the artist had her legs amputated as a child, and at times, her sculptural work emulates the features of her body that the condition caused. The resulting work explores identity, anxiety, and other topics.

The illusionary works of Thomas Medicus include "What It Is Like to Be," an anamorphic sculpture consisting of 144 hand-painted strips of glass that reveal new images when turned. Each of the strips were painted separate from another, and specifically, the new images are revealed when the piece is turned 90 degrees.

Carrying a mystical undercurrent, Chie Shimizu’s sculptures are rooted in an exploration of "the significance of human existence.”  The artist, born in Japan and based now in Queens, New York, has crafted these riveting figures over the past couple decades, moving between different scales and textural approaches.

The solitary figurative sculptures of Frode Bolhuis are untethered to any one specific culture or frame of mind, existing at the convergence of generations and experiences. His use of textiles brings a more visceral connections to each of the subjects, and the vibrancy within each extends past the artist’s chosen hues.
In the hands of KT Beans, a seashell takes on unsettling qualities. The sculptor says she creates "oddities for humans of the future”: Teeth, eyes, and other human body parts and organs emerge out of unexpected places.
Masayoshi Hanawa’s intricate ceramic and resin creatures are pulled from the artist’s internal mythology. His creations are filled with mosaic-like detail, each corner of a monster a meticulously crafted and vibrant pattern.
Brian Tolle's startling sculptures are said to be a dialogue between "history and context." His ability to manipulate what appear to be the most stubborn of structures is more than just a clever use of materials such as styrofoam and urethane (as is th case in the top piece, "Eureka.") Tolle forces us to consider our own relationship with the materials around us.
Hirofumi Fujiwara’s isolated sculptures are called Utopians, each person actually an amalgamation of features and cultures. Many of these characters, said to be from a parallel world, are presented inside of barriers as they “bear witness.”
The remixed and altered porcelain sculptures of ceramicist Penny Byrne often have a political edge. Byrne's methods recall the methods of Barnaby Barford and the late Click Mort. She uses enamel paints, epoxy resin, putty, and other materials to evolve these found statues.
In Amy Brener's "Omni-Kit" sculpture series, everyday objects and imagery are reprocessed into totem-like sculptures that speak to ritual and memory. These works are highlighted in a new show at Jack Barrett Gallery titled "Consolarium," a word the artist created for the place where these objects and figures across time collide into these single objects. Materials include urethane resin and foam, silicone, pigment, and more. The show runs through Dec. 20.
CrocodilePOWER is a Moscow-based duo who craft dystopic yet vibrant installations, sculptures, and paintings. Consisting of artists Peter Goloshchapov and Oksana Simatova, the pair works in materials like fiberglass, porcelain, wood, moss, iron, and more. See some of their recent, startling visions below.
In Max Hooper Schneider's lush sculptures and installations, his experiences in marine biology and landscape architecture prove to be ever-present influences. His Hammer Projects exhibition at Hammer Museum in Los Angeles is immersive and packed with too many details for one viewing, packed with found objects amassed over several years. The exhibition runs through Feb. 2 at the museum.

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