Menu
The New Contemporary Art Magazine

The Sculpted Creatures of Masayoshi Hanawa

Masayoshi Hanawa’s intricate ceramic and resin creatures are pulled from the artist’s internal mythology. His creations are filled with mosaic-like detail, each corner of a monster a meticulously crafted and vibrant pattern.

Masayoshi Hanawa’s intricate ceramic and resin creatures are pulled from the artist’s internal mythology. His creations are filled with mosaic-like detail, each corner of a monster a meticulously crafted and vibrant pattern.



“When he was child, (he) lived with his mother in a very isolated house in the woods. His mother worked at night,” writes Atsuko Barouh. “To keep his fears at bay, he drew monsters who protected him. As an adult, he continues to draw these creatures, favoring work on a soft cotton fabric that can be folded and carried around everywhere. For a few years, he has been working in a factory making frying pans. This work, transforming metal, fascinates him.”

See more on the artist’s site.




Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Minneapolis-based artist and designer John Foster makes sparkling glass objects that look well-suited for the homes of fairies and mermaids. Interested in the geometric structures that govern various natural phenomena, Foster creates iridescent prisms that, when grouped together, cast brilliant reflections in the surrounding space. The artist works in a variety of media, including sculpture, painting, and installation, and seeks to use geometry as a way to change the ways viewers interact with the spaces around them.
Vienna, Austria based artist Martin C. Herbst embraces distortion in his paintings, spanning from flat, wavy, and convex surfaces to the rounded shapes of stainless steel spheres. In his ongoing series on folded aluminum, Herbst presents classical portraiture in a new and unconventional way. This body of work is in part inspired by Mannerism, specifically the work of Mannerist painter Parmigianino, whose style emphasized elongated proportions and highly stylized poses with no clear perspective.
While Dirk Staschke's past work has had a meticulously polished look, his latest series of sculptures for his upcoming solo show, "Executing Merit" at Seattle's Winston Wachter Fine Art, reveal the rough-hewn edges of his process. Staschke (whom we featured in HF Vol. 23) creates opulent ceramic still lifes that evoke 17th-century vanitas paintings. In his previous pieces, he labored to conceal the evidence of his hand-executed process. His latest work, however, juxtaposes pristinely glazed forms with unglazed, unrefined surfaces, exposing the craft behind Staschke's typically immaculate work. "Craft and skill have always been important in my work and by examining this further my recent sculptures have become an exercise in relinquishing control," wrote Staschke in his artist statement. "Executing Merit" opens on March 3 and will be on view through April 15.
Every year, on the first Sunday of September, the Dutch village of Zundert holds its "Bloemencorso Zundert", or "Zundert Flower Parade", featuring larger-than-life floats and an "explosion" of flowers. The giant structures, reaching up to 30 feet tall, are built by volunteers in neighboring village districts and church villages - each one competing for the title of best design. Read a brief history of the parade and view more photos behind the cut.

Subscribe to the Hi-Fructose Mailing List