Menu
The New Contemporary Art Magazine

The Sculpted Creatures of Masayoshi Hanawa

Masayoshi Hanawa’s intricate ceramic and resin creatures are pulled from the artist’s internal mythology. His creations are filled with mosaic-like detail, each corner of a monster a meticulously crafted and vibrant pattern.

Masayoshi Hanawa’s intricate ceramic and resin creatures are pulled from the artist’s internal mythology. His creations are filled with mosaic-like detail, each corner of a monster a meticulously crafted and vibrant pattern.



“When he was child, (he) lived with his mother in a very isolated house in the woods. His mother worked at night,” writes Atsuko Barouh. “To keep his fears at bay, he drew monsters who protected him. As an adult, he continues to draw these creatures, favoring work on a soft cotton fabric that can be folded and carried around everywhere. For a few years, he has been working in a factory making frying pans. This work, transforming metal, fascinates him.”

See more on the artist’s site.




Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
The beinArt Surreal Art Collective's Kickstarter stretch-goal is almost 70% funded with only 48 hours to go! If the target is reached, the collective will open a new gallery space focusing on strange and imaginative figurative art. Exciting rewards for backers have been added throughout the campaign, such as drastically discounted original art, limited edition prints, signed art books, and more! These deals will only be available for the next 48 hours!
For San Francisco based artist Erika Sanada, animals have long represented a sort of escapism from reality. Featured here on our blog and in Hi-Fructose Vol. 31, her creepy-cute sculptural incarnations of "zombified" baby creatures are analogies to her own demons. Over the years, we've seen her sculptures evolve into more dynamic pieces of art; playful, narrative scenes colored in a spectrum of somber hues. She explores a bolder, darker palette and decoration in her upcoming solo, "Cope."
Courtney Mattison’s ceramics are clearly inspired and motivated by the ocean — that immense, powerful and precious resource whose details are still largely hidden from us. Self-identifying as both an artist and “ocean advocate," Mattison has created massive installations, “Our Changing Seas, I-III,” that cover a bio-diverse selection of coral reef forms. Displayed in a gallery, the pieces appear to grow out of the wall, as if miraculously alive in the dry, alien atmosphere. The ceramic medium allows for remarkable ranges in color, spanning the spectrum of actual living coral to the bone-dry, matte whiteness of its dead state. Both versions are present in Mattison’s pieces, reminding us that these entities are desperately in need of preservation. "Our Changing Seas III" is currently on view at the Tang Museum at Skidmore College in Saratoga Springs, NY.
Whimsy, humor and fantasy collide in the sculpture of Beijing artist Wang Ruilin. Some pieces are realistic reproductions of animals’ bodies while others manipulate these bodies to create an unexpected effects. His “Horse Play” series feel especially humorous. The horses have expressive eyes and tuck in their necks almost petulantly. In one piece, horses pile on top of each other into a pyramid; at the top a horse stands with his head cocked to one side. Wang highlights each flesh fold on these horses, making their sculptural bodies seem lively.

Subscribe to the Hi-Fructose Mailing List