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The New Contemporary Art Magazine
In Edward Telleri's paintings, eyes become living forms.. Read more by clicking above!
For artist Sarah Slappey, the body is both subject and setting. It entrances and repels, can be beautiful and grotesque. Above all, it is a means of artistic exploration that defies neat categorization. Read the full article by clicking above.
Once scheduled to be on view at the Smithsonian's National Portrait gallery, Amy Sherald's American Sublime is now on view at the Baltimore Museum of Art after the artist pulled the exhibit, asserting that she could not 'comply with a culture of censorship" Read the full article on the exhibition from our recent issue, after it premiered at the SFMOMA by clicking above!
Painter Laura Ball's hypnotically engaging paintings give the viewer a multi-planed insight to the roiling energy of the subconscious, as well as the dynamics of the equally vital and tempestuous physical world. Read the full article by Kirsten Anderson by clicking above.
"I did not always know that I would be making this particular work,” says painter Vickie Vainionpää, “but that’s the beauty of being an artist. To follow your interests, pulling at threads and slowly but surely a path becomes clear.”Read the full article on the artist by clicking above!
A fine balance of light, dark, serious, and silly, the paintings of Rachel Hayden are the culmination of her life experiences, expressed through peculiar motifs, alluring symmetry, and disassociated figures. There is at once something inviting, yet withdrawn, about this work... Read the full article and interview with the artist by clicking above.
Using striking symbolic language that seems to drift from subconscious realms, Arghavan Khosravi commands the subjects of her vibrant, sculptural paintings. Read Zara Kand's full article on the artist by clicking above!
Madsen’s narrative, semi-autobiographic paintings frequently position young adults inside spaces made for children. Their bodies might be awkwardly crammed inside toy cars or between narrow school bus seats. Other times, Madsen places the characters in the midst of situations associated with childhood and adolescence, tapping into the complicated mix of emotions that come with memory. Read Liz Ohanesian's full article by clicking above.
There is something contagious about the work of Brazilian artist Rafael Silveira, as if the zeal he gleans from transmitting vision to canvas are somehow captured inside those melting popsicles, rose mouths, and flirting birds. Read Zara Kand's full article on the artist by clicking above.
Upon first glance, Kent Williams’ subjects are all part of the same narratives, yet upon closer inspection perhaps that’s not the case at all. Read Ken Harman's full article on Kent Williams by clicking above.
he paintings of Andrew Hem linger just left of reality. With his instantly recognizable style, Hem blends figurative painting and atmospheric landscapes, echoes of graffiti art and a deep understanding of color harmony. Rendering scenes both urban and rural, modern yet outside of time, he creates works that are a mix of realism and surrealism, personal truths and collective dreams. Read all about the artist by clicking above.
he glass figurines in Lola Gil’s latest work are essentially still lifes. She owns each one, treasures each one. Holds and manipulates them to understand their qualities, their quirks. She depicts everything about them except her own fingerprints on their surface Read all about Lola Gil by clicking above.
Anna Weyant’s work appears to have more in common with film than painting. Liz Ohanesian delves into the rising art star's latest work. Click above to read it, k?
Talk with Jean-Pierre Roy for long enough and you begin to get the sense that, with the right amount of imaginative discernment, the boundaries between what many perceive to be high and low art are frequently not boundaries at all, but rather intricate, furtive passageways. Read the full article with the artist by clicking above...
With their color palettes like rare, tropical birds, Erik Jones’ paintings present beauty as it might exist in a vacuum. Or at least that’s the illusion. Read the entire article by Nastia Voynovskaya by clicking above...
There's a lot in Sandberg's tool box. He has worked with acrylic and oil, etching and photoengraving. Frequently, he plays with characters that blur the line between human and monster. Their bodies are shaped like ours. Their clothes are like ours, but their covered in hair. Sometimes, they take on the appearance of werewolves with animal-like fur. Other times, the hair spirals off their faces and bodies like think pieces of clumps of brightly colored yarn or long, rolled strands of Play-Doh. Read Liz Ohanesian's full article on the artist by clicking above.
Aafter nearly two decades as a professional artist, his work retains an authenticity that many attempt, but few master. Read Clayton Schuster's interview with the artist by clicking above!
In galleries, churches, museums, on walls, and the streets, Okuda San Miguel lights up spaces with his faceted surrealism. Read the full article on the artist by James Charisma by clicking above.
The towering behemoths that saunter and wage war through Mu Pan’s paintings are rooted in several aspects of the Brooklyn artist’s psyche. Read the full article by Andy Smith on the artist, his controversial work and perspective by clicking above.
In the fanciful depictions of Magda Kirk, massive deity-like characters reign over an inter-dimensional world comprised of emotion, self-awareness, and unlimited possibility. Read Zara Kand's full article on the artist by clicking above.
One might think it unlikely to find skeletons, grinning cat’s faces, vampires, and baby dolls chilling in a room together—noshing pizza with Simpsons-like characters flitting across the television. But in Matthew Palladino’s domain, anything goes. Read Zara Kand's full Hi-Fructose exclusive article by clicking above!
Less than two years ago, New Mexico painter Anthony Hurd completely changed the subject matter depicted in his paintings, focusing on themes which related to the artist on a more personal level. While Hurd’s graphic paintings of dynamic skulls were quite popular, his painterly depictions of male figures having intimate moments are simple and powerful. See the full video here!
Using a limited palette, oil painter Seth Haverkamp conjures up glowing portraits that glow with magic and mystery. We  interviewed the portrait artist about his latest exhibition of light infused paintings at Bender Gallery in North Carolina. Click the above image to read the interview!
Explaining an image could break the illusive spell on a viewer with preconceived notions, or at the very least be a distraction to a genuine experience. Nevertheless, it’s a job of a publication like ours to try to probe a bit further, to unearth subtle intentions or points of discussion. So let’s ask Shane Pearce about his ten new paintings, entitled “Eerie Musings”, which goes on view at Copro Gallery in Santa Monica this Saturday. Click above to read the hifructose.com exclusive interview.
Illustrator-turned-fine artist Janice Sung’s figures seem at home amidst natural settings, whether in a lily pad pond or a garden, floating like a near-translucent milk specters. Her recent gallery showing at Gallery Nucleus in Los Angeles, the first using physical media by the artist. We asked the artist a few questions about her new body of work and about transitioning from digital to physical media. Click the above already and read the hifructose.com exclusive interview.
As a tribute to this “most wonderful time of the year” artists Lauren YS and Makoto Chi have created twenty-eight works (and a mural) for their new “Five Poisons” exhibition. We’ve interviewed the artists about the work. Click image above to read it, or else.
We live in strange times and artists Michael Kerbow and Mike Davis both have something in common: they use surrealism and time travel to address modern and existential issues. Click above to read the Hi-Fructose exclusive interviews with painters Mike Davis and Michael Kerbow about their respective solo showings.
Artist and animation director Joe Vaux paints what he likes. His personal work is teeming with impish demons. His cheerful hellscapes are populated with lost souls, sharp toothed monstrosities, and swarms of wrong-doers. And yet, there’s an innocence to all of this. Click to read the Hi-Fructose exclusive interview with Joe Vaux.
Vibrant and bold, Oscar Joyo’s latest body of work which was exhibited at Thinkspace Projects in Los Angeles, vibrates the retina; while delving into his childhood memories childhood in Malawi and themes of Afrofuturism.
Something interesting happens when when artists like Alan and Carolynda Macdonald, who have the painting fundamentals mastered, decide to subvert expectations and perplex a viewers expectations conceptually. Click to read the Hi-Fructose exclusive interview.

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