The vibrant work of Erik Jones takes an intimate step in a new series of images under the title “Armor” at Jonathan Levine Projects next month. The works mix acrylics, watercolor, pencil, water-soluble wax pastel, and other materials. Jones last appeared on the HiFructose.com here, and he crafted the cover for and appeared in Hi-Fructose Vol. 27.
Hi-Fructose Vol. 27 cover artist Erik Jones paints alluring figures that he juxtaposes with dynamic, abstract strokes of bright colors. He seeks to find the right balance between his realistic style of painting figures with abstraction in his work. Jones recently made his European debut with his latest body of work, titled "In Colour" at Dorothy Circus Gallery in Rome. The title makes a references to the vibrant colors that surround and enhance the intensity of his female figures, likened to a hurricane. With these new works, Jones deepens his exploration of gesture and abstraction to an almost chaotic effect.
Hashimoto Contemporary in San Francisco is currently showing a wide variety of new works from international artists with their "Summer Group Show". As with FWMOA's "Invisible College" exhibition, previewed earlier, the show packs in countless styles and mediums from familiar rising stars in New Contemporary. This includes artists appearing in our current issue like Erin M. Riley, Erik Jones (HF Vol. 27 cover artist), Brett Amory (HF Vol. 20), Jessica Hess (HF Vol. 21), Nychos (HF Vol. 28), Shawn Huckins (HF Vol. 32), Tracey Snelling (HF Vol. 35), and more.
A new exhibit opening today at the Fort Wayne Museum of Art aims to take a snap shot of the ever growing New Contemporary "school". It's class? Many will be familiar to Hi-Fructose readers: Andrew Hem (HF Vol. 21 cover artist), Curiot (Hf Vol. 29), Ekundayo (HF Vol. 9), Erik Jones (HF Vol. 27 cover artist), Kwon Kyungyup (HF Vol. 24), Natalia Fabia (HF Vol. 22), Scott Radke (Hf Vol. 6), Yoskay Yamamoto (HF Vol. 8), and Yosuke Ueno (HF Vol. 10), to name a few. The exhibition will also include an abstract installation by artist Brett Amory (HF Vol. 20). "Invisible College", which is co-curated by the museum's Josef Zimmerman and Thinkspace Gallery in Los Angeles, presents New Contemporary as a movement that is both traditionally inspired and non traditional. See more after the jump.
Artists Seth Armstrong and Erik Jones share a fresh sense of drama in their new works, which will debut at Thinkspace Gallery this Saturday. Seth Armstrong's solo exhibition "The Air is Thick", accompanied by Erik Jones' "Color/Full", immediately sets the tone with his cinematic oil paintings. His images of lit up sky rises, mexican wrestlers, cowboys gathered around a campfire, and nudes in a mysterious desert all make theatrical references. Armstrong's title refers to the air of anticipation or tension he implements into each. Take a look at our preview of both shows after the jump.
Hueman, Erik Jones (HF Vol. 27 cover artist) , and Alex Yanes recollect their various artistic beginnings in "So Far, So Good", now on view at Joseph Gross gallery. Notably, the show also marks each artists' first in the famed Chelsea, New York area. Though having followed very different career paths, they have each arrived at bold and colorful palettes. Check out more photos after the jump!
This Thursday, October 9, Erik Jones (HF Vol. 27 cover artist) will unveil a new series of work at Joseph Gross Gallery in NYC. The exhibition, titled “So Far So Good”, is a three-person show, which also features the art of Hueman and Alex Yanes. Hi-Fructose caught up with Jones at his Brooklyn studio as he put the finishing touches on his new paintings.
The figures in Erik Jones's paintings are enmeshed in generous heaps of abstract marks, subsumed in the saturated hues of cerulean blue, aqua and crimson. Yet the New York-based artist (featured on the cover of Hi-Fructose Vol. 27) strikes a careful balance between abstraction and figuration, using the realistically-painted character as a compositional element in equilibrium with his design elements. While Jones has said in the past that his intentions are primarily to create visual pleasure, his upcoming show at Hashimoto Contemporary in San Francisco, "Motion," delves into symbolic territory.