Menu
The New Contemporary Art Magazine

The Recent Portraits of Jenny Morgan

In the recent paintings of Jenny Morgan, the artist continues to create penetrating portraits that are both vulnerable and surprising in her choices. The artist’s foundational excellence in realism is enhanced by her subversions of hues and form. Morgan was featured in the cover story for Hi-Fructose Volume 39.

In the recent paintings of Jenny Morgan, the artist continues to create penetrating portraits that are both vulnerable and surprising in her choices. The artist’s foundational excellence in realism is enhanced by her subversions of hues and form. Morgan was featured in the cover story for Hi-Fructose Volume 39.

“Although classically trained as a figure painter, Jenny Morgan is breaking with the labor-intensive preciousness associated with the realist approach,” says MOCA Jacksonville of the artist. “Technically intricate with a haunting quality, Morgan’s paintings experiment with psychological visual realism, obscuring the physical to expose the spiritual. She obfuscates the portraits’ meticulous details by annihilating their likeness, stripping away layers like physical and spiritual wounds, while retaining a striking intimacy. Like an archeologist, she digs to discover the subject’s identity.”

See more of her work from recent years below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
In 1979, with the publication of The Lowbrow Art of Robt. Williams, Williams unintentionally coined a term that would come to define an art movement. But he began intentionally carving out its place in the world long before... Read the full article on Robert Williams by clicking above.
Kazuki Takamatsu (HF Vol. 33 cover artist) paints layers of translucent, white gouache that appear to float over his matte, black backgrounds. His hologram-like, female characters look digitized, though they're executed entirely by hand. That's because the artist turns to depth mapping software for inspiration for his images and painstakingly renders his figures as if they were parceled into pixels. For his upcoming solo show "Even a Doll Can Do It," Takamatsu presents a new series of paintings centered around ghostly depictions of nymph-like girls floating in cyberspace. The exhibition opens February 14 at Dorothy Circus Gallery in Rome and will be on view through April 4.
Takahiro Hirabayashi is trained in traditional Japanese painting, but in his mixed-media work, he applies these age-old techniques to contemporary portraits with a sci-fi element. Hirabayashi's characters seem to inhabit a world in decline. In many of his paintings, they appear with blood-like stains running from their mouths, and their skin often looks cracked to expose ripe, pink flesh. They seem to be disintegrating before our eyes, and the traces of their carnivorous feasts left on the front of their shirts hint at their desperation to survive in a post-apocalyptic world.
Deirdre Sullivan-Beeman's "Heavy Water" brings new paintings from the surrealist to La Luz de Jesus Gallery, inspired by the substance created from tap water for nuclear energy research in the 1930s. Using oil and egg tempera on aluminum panel, the artist’s works have a particular glow, implementing centuries-old techniques for the effect. The show runs Oct. 4-27 at the space.

Subscribe to the Hi-Fructose Mailing List