Menu
The New Contemporary Art Magazine

Davor Gromilovic’s Fantastical, Wild Scenes

Serbian artist Davor Gromilovic draws and paints fantastical scenes, mixing influences and moods with both a sense of wonder and danger. He's able to navigate all eras with an absorbing sense of detail, featuring Cro-Magnon characters and futuristic swashbucklers. All have a tinge of humor within kinetic, theatrical displays.

Serbian artist Davor Gromilovic draws and paints fantastical scenes, mixing influences and moods with both a sense of wonder and danger. He’s able to navigate all eras with an absorbing sense of detail, featuring Cro-Magnon characters and futuristic swashbucklers. All have a tinge of humor within kinetic, theatrical displays.

“His work is narrative and often inspired by folk-art, fantastic motives of fairy tales, music, cultural heritage, as well as by his personal experiences and inner world,” a statement says. “In his work one notices a dominant use of symbols, his inner world and complex reflections from which he develops his ideas and specific intimate aesthetics. Complex, but at the same time purified, strongly imaginative but well-thought-out works adorn this artist’s rich oeuvre.”

See more of Gromilovic’s work below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Caleb Weintraub confronts his audience with an alternative, morally-stripped and intense digital fantasy world where children hold guns on each other around misplaced, irresponsible adult figures. "I make paintings of a disintegrating world where humanity has gone awry," Weintraub said of his work in a previous interview. In a sense, he works in parallels to the present state of children's overstimulation and desensitization in a controlled atmosphere. The bright colors and video game-like renderings complicate the readings of his work, however. The viewer may find himself questioning the relationship between his techniques and conceptual leanings. Weintraub is choosing to create, at first glance, friendly cartoon narratives with dark content below the surface.
Oil painter Aldo Sergio uses traditional tools to create “glitches” on classical still-life and portrait works. Sergio’s work follows other artists utilizing mix of contemporary distortion and centuries-old influences, yet his work stands apart in his convincing rendering of both aspects and his specific concepts arising out of this approach.
The scenes in Mernet Larsen's paintings appear familiar, at times even mundane: doing yard work; sitting in a staff meeting; waiting on a subway platform. Yet running through these representations of daily modern life is a distorted sense of reality that suddenly leaves one struggling to find footing within these worlds. Larsen has been painting this way since the early 2000s, channeling both the geometric compositions of El Lissitzky and 12th century Japanese narrative paintings. At the center of her works are block-like characters resembling vintage graphics in an old computer game - both abstract and figurative representations of ordinary people. Applying concepts of reverse perspective and what the artist refers to as "Rorschaching" to insightful, often witty narratives, Larsen inspires us to reconsider the ways in which we relate to the world around us.
Andy Kehoe crafts fantastical mixed-media paintings often featuring strange, antlered creatures that move through forests. There’s an unexpected depth to Kehoe’s paintings due to his process of painting on top of layers of poured resins. Kehoe uses “sculpted elements made of polymer clay into his works, submerging the forms beneath the strata of pigmented layers.” The artist has a new show at Thinkspace Gallery titled "Prismatic."

Subscribe to the Hi-Fructose Mailing List