
Dave Pollot revitalizes thrift store paintings with surreal or pop culture-centered flourishes. The artist recently painted giant banana duct taped to an existing mountainous backdrop for a piece auctioned for charity. The reason: Pollot says these conversations “can happen while people have little or nothing to eat.”


“I’ve always loved the idea that art is deeply personal,” the artist says. “I’m telling my own story with each piece, but every one is a little bit like a mirror, reflecting it’s meaning back to the viewer through his or her individual perception. More generally speaking however, there are a number of recurring questions and ideas that my work often deals with. I think that my body of work has challenged the idea that any one piece of artwork is without a place, especially if it can be retrofitted to reflect a more culturally relevant set of ideas. It’s also questioned the idea of who (generationally and otherwise) can claim ownership of the pop culture of a given time period – it’s sought to introduce a younger audience to older artistic styles, and a potentially older audience to a broader set of pop culture.”
See more of Pollot’s work on his site.
https://www.instagram.com/p/B5sQ20mlmC5/






In his current show at Honor Fraser in Los Angeles, Kenny Scharf shares wild new works that include new mixed-media paintings, sculptures, assemblages, and more. “Optimistically Melting!” takes over the space through Nov. 16, and in it, viewers find an veteran artist who maintains his graffiti sensibilities yet constantly pushes his interests into new arenas.
Philadelphia-born artist Lisa Yuskavage has become known for her fantasized images of women in stages of undress, and not without controversy. Scantily clad, her subjects' sexuality plays an important role in her art where men have largely been ignored. In her new series of paintings and pastels, currently on view at