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Hi-Fructose Volume 39 Preview!

Our 39th volume of Hi-Fructose New Contemporary Art Magazine arrives in stores April 1st. You can also reserve a copy by pre-ordering direct from us here! Featured in this issue is: "Very Strange Days, Indeed", a cover feature with fantastic painter Jenny Morgan, the bright and quiet narratives of painter Andrew Brandou, the painfully dark work of master painter Odd Nerdrum, the playful world of artist Tripper Dungan, R.S. Connett's highly detailed "micro verse", fantastic water color paintings by Dima Rebus, and the powerful tiny street installations of sculptor Isaac Cordal. Plus major features on sculptor Scott Hove inside his teeth-gnashing Cakeland, and Portland painter David Rice's wildlife-filled work. Plus a review of Joan Cornellà's insanely demented Mox Nox book. This issue also includes a special 16-page preview of the Turn the Page: The First Ten Years of Hi-Fructose exhibition at the Virginia MOCA.


Jenny Morgan

Our 39th volume of Hi-Fructose New Contemporary Art Magazine arrives in stores April 1st. You can also reserve a copy by pre-ordering direct from us here!


Scott Hove

Featured in this issue is: “Very Strange Days, Indeed”, a cover feature with fantastic painter Jenny Morgan, the bright and quiet narratives of painter Andrew Brandou, the painfully dark work of master painter Odd Nerdrum, the playful world of artist Tripper Dungan, R.S. Connett‘s highly detailed “micro verse”, fantastic water color paintings by Dima Rebus, and the powerful tiny street installations of sculptor Isaac Cordal. Plus major features on sculptor Scott Hove inside his teeth-gnashing Cakeland, and Portland painter David Rice‘s wildlife-filled work. Plus a review of Joan Cornellà‘s insanely demented Mox Nox book.


Jeremy Geddes, for Turn the Page: The First Ten Years of Hi-Fructose

This issue also includes a special 16-page preview of the Turn the Page: The First Ten Years of Hi-Fructose exhibition at the Virginia MOCA. In the preview are images of a selection of pieces from the show including artists: James Jean, Jeremy Geddes, Jean-Pierre Roy, Tiffany Bozic, Kris Kuksi, Ron English, Travis Louie, Martin Wittfooth, Gehard Demetz, Todd Schorr, Kehinde Wiley, Mark Ryden, A.J. Fosik, Greg “Craola” Simkins, Tara McPherson, and Josh Keyes.

Pre-order copies direct from us here!

See more previews below.


Andrew Brandou


R.S. Connett


Isaac Cordal


Joan Cornellà


Odd Nerdrum


Dima Rebus


David Rice


Tripper Dungan

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Scott Hove, Henry Lewis, and Vanessa Burgundy Team Up for ‘ARTCRIMES’

Scott Hove

Sculptor Scott Hove has teamed up with artist Henry Lewis, and experience creator Vanessa Burgundy for the new pop-up "ARTCRIMES." Running Sept. 26 through Oct. 26, the pop-up is late-night only, taking over the gallery annex of Hollywood’s Burgundy Room bar from 8 p.m.-midnight, Thursdays through Sundays. The program blends Hove's culptures, the murals of Lewis, and burlesque, dancing, and performance art curated by Burgundy. Hove was previously featured in the “Turn the Page: The First 10 Years of Hi-Fructose" exhibition, Hi-Fructose Collected 3, and Hi-Fructose Vols. 12 and 39.

The Recent Portraits of Jenny Morgan

In the recent paintings of Jenny Morgan, the artist continues to create penetrating portraits that are both vulnerable and surprising in her choices. The artist’s foundational excellence in realism is enhanced by her subversions of hues and form. Morgan was featured in the cover story for Hi-Fructose Volume 39.

Ethereal and Provocative Hand-Manipulated Photographs by DK Burger

Oakland, California based photographer Debra Kay Burger, aka DK Burger, creates ethereal and provocative images that look like they are from another time. Using traditional darkroom techniques, she gives her work the qualities of foggy vintage snapshots with a touch of Odd Nerdum. Some of these techniques include dodging, burning, and masking, which look similar to digital manipulations, but everything is done by hand.

Preview: “All We Have Is Now” by Jenny Morgan at Driscoll Babcock Galleries

Jenny Morgan's (HF Vol. 21) latest series is set to debut on May 14th at Driscoll Babcock. "All We Have Is Now" features themes of life, death, and rebirth, represented in paintings of her vibrantly colored figures. It is a continuation of her ongoing concept, centered around the cycle of life and spirituality. Here, this is combined with the morose of death, as in her painting "Skeleton Woman" where a nude mingles with a skeleton. The image could almost be read like a ying-yang, where the weightless pose of the girl is juxtaposed with the heaviness of the skeleton, yet it does not crush her. Overall, Morgan's art is like a balancing act between polar opposites of both theme and style choices.
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