Menu
The New Contemporary Art Magazine

The Miniatures of Leah Yao

Leah Yao’s talents in crafting miniatures have taken both bright and bleak forms, with the recent “Mini Memento Mori” representing the latter. More often than not, the artist's Instagram bio aptly describes her output: "I make clay food." The RISD student's above piece impresses in the details that add both humor and intrigue to the work.

Leah Yao’s talents in crafting miniatures have taken both bright and bleak forms, with the recent “Mini Memento Mori” representing the latter. More often than not, the artist’s Instagram bio aptly describes her output: “I make clay food.” The RISD student’s above piece impresses in the details that add both humor and intrigue to the work.


““How can the smallest art form convey large ideas?” the artist wrote. “By juxtaposing current issues with classic art themes of mortality and feasts, I hope to encourage the viewer to consider the sometimes-toxic food systems that constitute modern diets, and to think about what we create (ahem, miniature concrete pieces…) will exist on the planet after we are dead and gone.”

See more of Yao’s work below.


Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Ron Mueck gathers 100 individual, enormous skulls for a new installation at National Gallery of Victoria’s Triennial. The sculptures in "Mass" are crafted from fiberglass and resin, and each is about a meter high. Mueck's hyperrealist work was last mentioned on HiFructose.com here.
Italian artist Gianluca Traina blurs the boundaries between photography and sculpture with his "Portrait 360" series. The artist shoots photos of anonymous subjects, zeroing in on their faces. Using a warp and weft technique (a method of weaving often used in traditional carpet-making), he weaves the 2D images into three-dimensional busts. The blurred, digitized photos become further distorted when Traina toys with their orientation, creating a continual interplay between the photographed and sculpted faces.
Michelle Dickson is an artist living in Baltimore who combines found materials with plaster, oil paint and wax to form her surreal sculptures. For her ongoing series Neither Mine Nor Yours, the artist merged plaster casts of her own face with driftwood she collected on her various hikes throughout the Washington, D.C. and Baltimore areas. The self portraits take an introspective approach to exploring identity and place in an uncertain world, as well as the impact that time has on our memories, bodies and relationships.
At the intersection of fashion and sculpture you’ll find the wearable artwork of Copenhagen-based artist Nikoline Liv Andersen. “My work is expressive, living in the borderline between fashion and art with a big focus on textiles, textures and delicate details” Anderson said, describing her work. Many of Andersen’s designs challenge the purpose of ordinary materials, using them to create intricate works of art.

Subscribe to the Hi-Fructose Mailing List