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Preview: Antler Gallery’s “Unnatural Histories” Group Show

Studying mythology allows one to examine how the values of contemporary culture are transmitted through history. Tying a thread between past and present, Portland's Antler Gallery invited a group of artists to create portraits inspired by mythical creatures for their third annual "Unnatural Histories" group show. Each piece is accompanied by a short story written by each artist relating their specific character's tale. According to curators Neil M. Perry and Susannah Kelly, some artists reinterpreted existing myths while others took the opportunity for more inventive storytelling. Participating artists include Josh Keyes, Craww, Vanessa Foley, Michael Page, Hi-Fructose co-editor-in-chief Annie Owens, Siolo Thompson, Brin Levinson, Syd Bee, Jackie Avery, Crystal Morey, Susannah Kelly, Ben Kehoe, Neil M. Perry, Jennifer Parks, Jon MacNair, and Ryan Berkley. Take a look at our preview of the exhibition before it opens this evening.


John MacNair

Studying mythology allows one to examine how the values of contemporary culture are transmitted through history. Tying a thread between past and present, Portland’s Antler Gallery invited a group of artists to create portraits inspired by mythical creatures for their third annual “Unnatural Histories” group show. Each piece is accompanied by a short story written by each artist relating their specific character’s tale. According to curators Neil M. Perry and Susannah Kelly, some artists reinterpreted existing myths while others took the opportunity for more inventive storytelling. Participating artists include Josh Keyes, Craww, Vanessa Foley, Michael Page, Hi-Fructose co-editor-in-chief Annie Owens, Siolo Thompson, Brin Levinson, Syd Bee, Jackie Avery, Crystal Morey, Susannah Kelly, Ben Kehoe, Neil M. Perry, Jennifer Parks, Jon MacNair, and Ryan Berkley. Take a look at our preview of the exhibition before it opens this evening.

“Unnatural Histories” is on view through October 25 at Antler Gallery in Portland.


Craww


Michael Page


Annie Owens


Neil M. Perry


Josh Keyes


Susannah Kelly

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For centuries, the wonders of the natural world have inspired artists to create fantasy, and since the Middle Ages, have applied legendary characteristics to animals. For the fourth year in a row, Antler Gallery in Portland has invited artists to join in this tradition of creating their own mythical creatures inspired by nature. "Unnatural Histories 4" will highlight whimsical new works by Lisa Ericson, Jeff P., Jon Mcnair, Erika Sanada, Josh Keyes, Peter Gronquist, Josie Morway, Brin Levinson, Jessica Joslin, Matt Linares, Aunia Kahn, Nicomi Nix Turner, and more.

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Tattooed doves and pygmy giraffes, singing harpies and suited wolverines are now on display at Portland's Antler Gallery as part of "Unnatural Histories IV." The exhibition, as previously reported earlier this month, is the fourth edition of a major group show featuring work by 27 artists who merge human with animal to create fantastic creatures. Some are whimsical like Redd Walitzki's "Pygmy Mountain Giraffe," which the artist describes as being particularly fond of "salt water taffy left behind by careless tourists" and Morgaine Faye's "Wadjet," the Egyptian god and protector of kings and women in childbirth. To accompany her single rainbow winged bird, Faye wrote a poem detailing the omnipresence of her imagined "Protector of the Pharaohs."
Josh Keyes (HF Vol 12 cover artist) and Brin Levinson (covered here) both illustrate an affinity for animals in their paintings. Working in acrylic and oil respectively, their collective exhibition "Reclamation of Nowhere", which opens tomorrow at Antler Gallery in Portland, illustrates desolate environments from the animal's point of view. Josh Keyes chose to convey feelings of liberation and reclamation in his new series. "It is suggesting surrender, or letting go, or loosening of the psychological framework and preconceptions that can sometimes hold and restrain our imagination and natural impulses," he explains. Check out our preview after the jump.
Erika Sanada's canine sculptures are both endearing and unnerving. There's something sweet about her ceramic puppies (featured in Hi-Fructose Vol. 31) despite their zombie eyes and pale, hairless skin. The dogs play, wrestle, and cuddle, but the ambiguous details in each sculpture make it possible to interpret their gestures as either tender or malicious, or perhaps a bit of both. Sanada began creating these creatures as a way of coping with anxiety. She says they represent dark elements of her mind she's had to tame. The latest installment of her ongoing, autobiographical body of work will debut in her upcoming solo show, "Odd Things: Daydreaming," which opens November 28 at Antler Gallery in Portland and runs through December 31.

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