Menu

Subscriptions

Shop

Submit

Promote

The New Contemporary Art Magazine
Some of our past articles may not have images. Click here to see those that do.

Making of Annie Owens’ “Yee Naaldlooshi (Skinwalker)” Print by Pressure Printing

Hi-Fructose's own Annie Owens just released a new limited edition print of her "Yee Naaldlooshi (Skinwalker)" by Pressure Printing. At their blog, Pressure Printing writes, "When we saw Annie’s Skinwalker watercolor on Instagram almost a year ago, we were entranced. And we weren’t alone – when we re-grammed it it garnered more likes than anything we’d posted before, and still has more likes than anything we’ve posted since. Small wonder: the Navajo witch who can transform into any animal she chooses is a being both evil and mysterious, and Annie’s painting embodies that magic."

Hi-Fructose’s own Annie Owens just released a new limited edition print of her “Yee Naaldlooshi (Skinwalker)” by Pressure Printing. At their blog, Pressure Printing writes, “When we saw Annie’s Skinwalker watercolor on Instagram almost a year ago, we were entranced. And we weren’t alone – when we re-grammed it it garnered more likes than anything we’d posted before, and still has more likes than anything we’ve posted since. Small wonder: the Navajo witch who can transform into any animal she chooses is a being both evil and mysterious, and Annie’s painting embodies that magic.” The original watercolor was first exhibited in Antler Gallery’s “Unnatural Histories III” exhibit last September. Pressure Printing took new steps in their process to capture the original’s soft, flat tones and feathered edges, which was printed in two colors. Take a look at the making of the print below.

“Yee Naaldlooshi (Skinwalker)” by Annie Owens is available now available on pressureprinting.com.

Meta
Topics
Share
Facebook
Reddit
Pinterest
Email
Related Articles

Interview: Illustrator Mattias Adolfsson Discusses His Award-Winning “The Second In Line”

Mattias Adolfsson is an artist and illustrator working from his studio in Sigtuna, Sweden, just outside of the capital city of Stockholm. His path to being an illustrator took several turns, beginning with his interest in Mathematics and Architecture in his university days – eventually finding his rhythm as an illustrator after years of work doing 3D animations for the game industry. Infused thoroughly with a wonderful sense of humor and whimsy, Adolfsson’s work is a combination of hand-rendered ink drawings with watercolor accents that he meticulously produces in his sketchbooks. Adolfsson’s latest book, The Second In Line, has garnered the artist the prestigious Most Beautiful Swedish Book award by the Swedish Bonkkonst.

Preview: El Gato Chimney’s “De Rerum Natura” at Stephen Romano Gallery

Italian artist El Gato Chimney will present a series of mystical watercolors in his upcoming solo show at Stephen Romano Gallery in Brooklyn, "De Rerum Natura" (which translates to "The Nature of Things" from Latin). Opening March 5 and on view through April 30, the exhibition features whimsical works that pull pagan symbolism from a variety of cultures to create a fictional world of animal deities and anthropomorphic spirits. Though Chimney delves into various spiritual traditions, he does so with a sense of humor. His work is filled with absurdist juxtapositions and open-ended symbolism that alludes to a forgotten time that never truly existed.

Benjamin Björklund’s Paintings Shroud His Everyday Subjects in Mystery

Swedish artist Benjamin Björklund lives a simple life in a farm house on Sweden's west coast and his oil and watercolor paintings reflect this life. His work usually portrays the people and animals that surround him, such as his dog, Solomon, and other pets like rabbits, pigs, and mice. He's also inspired by physical or emotional situations that he has experienced throughout his life; before becoming an artist, Björklund had a varied career working as a prison night guard, a psychiatric nurse, and a veterinary technician student. To look at Björklund's paintings feels like looking into a dream.

Preview: Allison Sommers, Jeremy Hush and Susannah Kelly’s “Irresistible Atrophy” at Antler Gallery

Allison Sommers, Jeremy Hush and Susannah Kelly share an interest in creating poetic imagery out of macabre subject matter. The three artists are presenting new bodies of work for their collaborative show, "Irresistible Atrophies," opening at Portland's Antler Gallery on October 30.
Subscribe to the Hi-Fructose Mailing List
Follow us on our social networks

Instagram, Twitter, Facebook, Youtube, Tumblr

Shop

Subscribe

Subscription Details

Articles, About, FAQs, Submit, Promote, Distribute

© 2025 Hi-Fructose Magazine

Subscribe to the Hi-Fructose Mailing List