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Tag: Antler Gallery

Matt Linares "The Second Key Master"

Tattooed doves and pygmy giraffes, singing harpies and suited wolverines are now on display at Portland's Antler Gallery as part of "Unnatural Histories IV." The exhibition, as previously reported earlier this month, is the fourth edition of a major group show featuring work by 27 artists who merge human with animal to create fantastic creatures. Some are whimsical like Redd Walitzki's "Pygmy Mountain Giraffe," which the artist describes as being particularly fond of "salt water taffy left behind by careless tourists" and Morgaine Faye's "Wadjet," the Egyptian god and protector of kings and women in childbirth. To accompany her single rainbow winged bird, Faye wrote a poem detailing the omnipresence of her imagined "Protector of the Pharaohs."
Josh Keyes (HF Vol 12 cover artist) and Brin Levinson (covered here) both illustrate an affinity for animals in their paintings. Working in acrylic and oil respectively, their collective exhibition "Reclamation of Nowhere", which opens tomorrow at Antler Gallery in Portland, illustrates desolate environments from the animal's point of view. Josh Keyes chose to convey feelings of liberation and reclamation in his new series. "It is suggesting surrender, or letting go, or loosening of the psychological framework and preconceptions that can sometimes hold and restrain our imagination and natural impulses," he explains. Check out our preview after the jump.
Growing up in rural Colorado, Oregon based artist David Rice forged a special connection with his environment, which he develops in his colorful illustrations. His works focus on themes of nature through figurative portrayals of animals. Rice forges a link between the natural world and what is man-made in his current exhibit, "Two Creeks" at Antler Gallery, which is showing alongside Syd Bee's "In My Bones". In a new series of nine acrylic on wood panel paintings, Rice portrays wild animals with unnatural elements. A recurring element is fabric, which appears as clothing fashioned as cloaks that the animals wear, draped over their backs like blankets, or in more subtle forms.
Hi-Fructose's own Annie Owens just released a new limited edition print of her "Yee Naaldlooshi (Skinwalker)" by Pressure Printing. At their blog, Pressure Printing writes, "When we saw Annie’s Skinwalker watercolor on Instagram almost a year ago, we were entranced. And we weren’t alone – when we re-grammed it it garnered more likes than anything we’d posted before, and still has more likes than anything we’ve posted since. Small wonder: the Navajo witch who can transform into any animal she chooses is a being both evil and mysterious, and Annie’s painting embodies that magic."
Syd Bee is a Seattle-based painter that creates figurative paintings that often appear to exist in a dreamlike state. Working in oils, the artist employs a technique of creating a pastel-hued glow around her subjects. Bee enjoys the way the soft outer edges of the paintings feel optically; which enhances the mysterious effect produced by her oil paintings. Check out our interview with the artist after the jump, as she discusses her new work.
Antler Gallery in Portland has an upcoming group show featuring three distinct talents: Heiko Müller (HF Vol. 33), Lisa Ericson, and John Casey. Opening March 26, "Habitats" allows the three artists to demonstrate new directions in their personal styles. In his new paintings, Müller invites nature imagery to mingle with mythological elements and abstract designs. Casey presents a new series of bold, colorful sculptures and paintings, which greatly contrast with the tightly executed graphite work for which he was formerly known. Ericson's paintings of mouse-butterfly hybrids are humorous, endearing, and technically skilled. One might be surprised to learn that "Habitat" is Ericson's first gallery show, but her work matches that of the other two more experienced artists in caliber.
As the name might suggest, Portland's Antler Gallery showcases many artists whose work deals with the natural world. Their appreciation of animal-inspired art precipitated the annual exhibition, "Brink," which is now in its third year. Opening on January 29, the group show features artists such as Chie Yoshii, Jon MacNair, Caitlin McCormack, Brin Levinson, Kevin Earl Taylor, and Antler owners Susannah Kelly and Neil Perry, among others. Part of the show's proceeds will benefit the Audubon Society of Portland, which does work to protect the region's birds and their habitats.
Erika Sanada's canine sculptures are both endearing and unnerving. There's something sweet about her ceramic puppies (featured in Hi-Fructose Vol. 31) despite their zombie eyes and pale, hairless skin. The dogs play, wrestle, and cuddle, but the ambiguous details in each sculpture make it possible to interpret their gestures as either tender or malicious, or perhaps a bit of both. Sanada began creating these creatures as a way of coping with anxiety. She says they represent dark elements of her mind she's had to tame. The latest installment of her ongoing, autobiographical body of work will debut in her upcoming solo show, "Odd Things: Daydreaming," which opens November 28 at Antler Gallery in Portland and runs through December 31.
Allison Sommers, Jeremy Hush and Susannah Kelly share an interest in creating poetic imagery out of macabre subject matter. The three artists are presenting new bodies of work for their collaborative show, "Irresistible Atrophies," opening at Portland's Antler Gallery on October 30.
Studying mythology allows one to examine how the values of contemporary culture are transmitted through history. Tying a thread between past and present, Portland's Antler Gallery invited a group of artists to create portraits inspired by mythical creatures for their third annual "Unnatural Histories" group show. Each piece is accompanied by a short story written by each artist relating their specific character's tale. According to curators Neil M. Perry and Susannah Kelly, some artists reinterpreted existing myths while others took the opportunity for more inventive storytelling. Participating artists include Josh Keyes, Craww, Vanessa Foley, Michael Page, Hi-Fructose co-editor-in-chief Annie Owens, Siolo Thompson, Brin Levinson, Syd Bee, Jackie Avery, Crystal Morey, Susannah Kelly, Ben Kehoe, Neil M. Perry, Jennifer Parks, Jon MacNair, and Ryan Berkley. Take a look at our preview of the exhibition before it opens this evening.
Jon MacNair opens windows into cryptic worlds with his monochromatic pen-and-ink drawings. His work has a decidedly vintage, if not medieval, feel. The artist renders elaborate depictions of self-created myths and legends, but rather than being grandiose, the tone of his work is self-aware and humorous. Demons and shamans mug for the viewer while performing rituals and spells. Some of his drawings show gratuitous, cartoon violence akin to that of heavy metal album art and skateboard graphics. MacNair has a solo show opening at Portland's Antler Gallery this Thursday, August 28, titled "Age of Enigmas." In addition to his own work, the exhibition will feature MacNair's collaborations with five other artists he admires: Jennifer Parks, Trudy Creen, Mark Burt, Ian Anderson, and Michael Hsiung.
Partners in art and in life, Ferris Plock and Kelly Tunstall collaborate seamlessly, almost out of necessity. They work in close proximity to one another in their studio, switching between parent duty to their two young children and working on their paintings. Elements of Plock's blocky, geometric style end up on Tunstall's softer, more painterly canvases and vice versa. The couple, sometimes known by the monicker KeFe, currently has an exhibition at San Francisco's Shooting Gallery titled "Floating World: Part One" on view through August 9. Part two of this body of work will open at Antler Gallery in Portland on July 31, creating a visual dialogue between two cities.
Though Nicomi Nix Turner's subtle graphite work resembles an intricate examination of the natural world, one would be surprised to learn that the artist uses absolutely no reference material. The skinny, springy mushrooms and horned beetles that often appear in her drawings are not modeled after a particular species. Instead, Turner enjoys playing god, in a way, and seeing what an ecosystem of her own creation would look like. People often tell her the human characters in her work resemble someone they know, said the artist, but perhaps the beauty of their faces is that they can evoke different memories for each viewer.

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