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Tag: Corey Helford Gallery

Tanya Schultz creates vibrant, immersive installation art under the moniker Pip & Pop. This month, the artist unveils her U.S. debut exhibition at Corey Helford Gallery in Los Angeles. "Here Comes Sunshines" kicks off on Jan. 13 and runs through Feb. 17. Pip & Pop was prominently featured back in Hi-Fructose Vol. 36, in a multi-page feature story.
Next month, painter Alex Gross returns with his first show in a decade in Los Angeles, where he lives and works. For most, "Antisocial Network" may conjure images of handheld devices and laptop screens, yet this show takes a broader approach to the term. Smartphones, VR headsets, corporate branding, and internal preoccupation all offer a different take on what the artist intends with this new collection at Corey Helford Gallery. The show kicks off Feb. 25 and lasts through March 25. Gross was last featured on HiFructose.com here.
London based artist Nathan James uses different approaches each time he has a new idea to develop. This "lack" of a signature style makes his art unpredictable, but he might be converging into one thing. Nathan James will soon make his US solo debut at Corey Helford Gallery in Los Angeles with "Dark Matter", featuring his "Creepshow" series that we featured here on our blog, and introducing a new series that he calls "Faceless". We sat down with him to talk more about the inspiration behind his upcoming show.
When NASA published some new and sharp images of Pluto in the beginning of the year, a dreamland of puzzling patterns was revealed. It was a gift for human imagination. How life would be in Pluto or in other worlds is the inspiration for Corey Helford Gallery’s first group show in their new Los Angeles space, “Between Worlds” (full disclosure: the show is curated by our Online Editor, Caro). Opening tomorrow, the exhibition presents 30 international contemporary artists' visions of the fantasy of planets and lands yet to be explored.

Corey Helford Gallery in Los Angeles just announced that they are moving to a new space, and they are saying goodbye to their Circa gallery with one of their most popular group exhibitions, "Art Collector Start Kit 3". Opening this Saturday, the exhibit (previously covered here) annually showcases smaller works from both well established and new names in the New Contemporary scene. This year's show is no less eclectic and presents 12" x 12" sized pieces from Brandi Milne, Hannah Yata, Hikari Shimoda (HF Vol. 29), Hirabayashi Takahiro, KiSung Koh, Korin Faught, Lori Nelson, Lu Cong, Naoto Hattori (HF Vol. 7 and 35), Yoh Nagao, and Yoko d'Holbachie (HF Vol. 6 cover artist), among over 30 artists.
This Saturday, CHG Circa kicks off 2015 with a group show that celebrates, in essence, the dream of starting anew in "Freaks and Americana." The show welcomes newcoming artists to the gallery like Carol Liu alongside regulars Brandi Milne, Shag, Ron English, Tom Bagshaw, Yosuke Ueno, and Melissa Forman, featured here. Their pieces edge on the verge of odd, but also have the classic innocence of vintage circuses and their personalities. Check out our preview after the jump!
Born in Philadelphia and raised in Fresno, Luke Chueh (featured in HF Vol. 24) has gained much notoriety in Los Angeles art scene with his colorful, illustrative paintings. His upcoming exhibition “Self-ish” at CHG Circa in Culver City, is the latest continuation of Chueh’s stand-out style. A cast of playful-looking characters, the adult world that they live in and the dissimilarity between the two is a primary theme of the 20 new pieces Chueh will have on display. "My work is an illustrative exploration of visual and narrative contrast" Chueh said describing his work.
This Saturday, CHG Circa will debut "Giants Among Us," a group show that challenged artists to interpret the figure of the giant and how it plays out in folklore, contemporary culture and their own mythology.The group of mostly narrative painters each had their own unique interpretation of what a giant might look like. In John Brophy's digital-looking painting, a triumphant character in a furry battle costume appears to be the giant compared to a small firefly resting on her finger. Korin Faught and Armando Marino also opt for subtle ways of approaching the theme. In Faught's Impressionistic work, a larger-than-average human skull hints at a giant's presence, while a dark shadow over a river makes us wonder what's about to happen in Marino's piece.
On Saturday, just hours before the event, Corey Helford disclosed the location of artist Brandi Milne’s emotional new work, 2-years in the making. Their large warehouse pop-up space hosted a carnival-style opening, complete with cotton candy, but thematically, “Here Inside My Broken Heart” is Milne’s most intimate show. Milne’s latest series of paintings interprets the ups and downs of her own broken heart with layered imagery. Her sugary sweet, lyrical paintings are far less literal than her previous offering at Corey Helford, “Before I Hide Away” (covered here). Gone are the handwritten quotes Milne strung throughout her narrative, perhaps allowing her work to speak for itself. Read more after the jump.
Appropriation art has boomed since Dina Goldstein began her “Fallen Princess” photo series in 2007, which debuted at CHG Circa last Saturday. All over the world, artists seem to be re-contextualizing pop-culture characters in unfortunate situations. Goldstein’s new work may fit into this trend, but she isn’t making a commentary about Disney. As a female visual artist and pop surrealist raised in Tel Aviv, she’s taking an honest look at the challenges that modern women face. Hers is a tongue-in-cheek remark about ideals of beauty and dreams, and how that fits into real-world ‘happily ever afters’. Read more after the jump.

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