
In his first exhibition in Hungary, Dmitry Kawarga’s “post-human” sculptures and installations reflect on humanity’s vulnerability. His “Anthropocentrism Toxicosis” series, in particular, is on display at the Ferenczy Museum, with works built with polymers and occasionally, usage of 3D-printing processes. The exhibition runs through Sept. 15.





“In Kawarga’s view, humanity will soon disown its biological self, and separate from its physical body,” the venue says. “However, in addition to looking at how things human and non-human are related, and using the opposition of organic nature and geometric technology to reveal how the population changes, this special artistic project shows these changes, above all, in the crisis of anthropocentrism, which posits man as the centre and ultimate cause of the world. Objects are presented in Plexiglas cylinders, compacted in prisms, and sometimes on their own: discarded things that have survived their own worlds, flowing over and covering a postapocalyptic wasteland.”
Read more on the venue’s site here, and find more from the artist here.








 
  Sculptor Cristina Córdova’s absorbing and intimate figures inhabit a new show in Hodges Taylor in Charlotte. "CRISTINA CÓRDOVA: cuerpo exquisito" offers works with personal notes for the artist, whether in the pieces modeled after her daughters or the nods to her Puerto Rican heritage. She was last featured on our site
 Sculptor Cristina Córdova’s absorbing and intimate figures inhabit a new show in Hodges Taylor in Charlotte. "CRISTINA CÓRDOVA: cuerpo exquisito" offers works with personal notes for the artist, whether in the pieces modeled after her daughters or the nods to her Puerto Rican heritage. She was last featured on our site  Memphis based artist Josh Breeden, who goes by the moniker
 Memphis based artist Josh Breeden, who goes by the moniker  
  Brian Tolle's startling sculptures are said to be a dialogue between "history and context." His ability to manipulate what appear to be the most stubborn of structures is more than just a clever use of materials such as styrofoam and urethane (as is th case in the top piece, "Eureka.") Tolle forces us to consider our own relationship with the materials around us.
 Brian Tolle's startling sculptures are said to be a dialogue between "history and context." His ability to manipulate what appear to be the most stubborn of structures is more than just a clever use of materials such as styrofoam and urethane (as is th case in the top piece, "Eureka.") Tolle forces us to consider our own relationship with the materials around us. Korean artist
 Korean artist