Menu
The New Contemporary Art Magazine

Revisiting Julia Fullerton-Batten’s Towering ‘Teenage Stories’

In the 2005 series “Teenage Stories,” Julia Fullerton-Batten expressed the transition from girlhood to womanhood with surrealist photographs of towering adolescents. These aren’t Photoshopped images, as Fullerton-Batten noted in the artist statement: “I shot the images on location in model villages so that the girls appear to have outgrown the world they live in, as in their day-dream existence."

In the 2005 series “Teenage Stories,” Julia Fullerton-Batten expressed the transition from girlhood to womanhood with surrealist photographs of towering adolescents. These aren’t Photoshopped images, as Fullerton-Batten noted in the artist statement: “I shot the images on location in model villages so that the girls appear to have outgrown the world they live in, as in their day-dream existence.”

She street-cast models with no formal experience and captured images that “portray the emotional dynamics of the female adolescent.” The result magnifies the vulnerability of a bike accident or picking gum off heels and pits these scenes against suburban and urban backdrops. The renderings offer drama and humor, banal moments and introspection. These teenagers are simply surviving this stage of life, while growing up and past their surroundings. A book of this body of work was released in 2007.


A decade later, Fullerton-Batten returned to the concept of survival with “Feral Children,” a meditation on the real-life phenomenon of children stripped from human contact during their developmental years. Here, the enormous figures are gone. But Fullerton-Batten maintains a vulnerability and strength contained in each of these narratives.These subjects work within actual backstories, and like “Teenage Stories,” there’s an additional quality of complete isolation—and an undeniable longing within each tale.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
American artist Jamie Adams paints the human form with the expertise of an European Old Master. His rendering of musculature and gradation of skin tone is exacting and hyperrealistic. However, there is something askew in the way the necks of his figures sometimes turn too far — as if snapped by an unknown force — and stomachs appear to bulge and contract to unnatural degrees. The distortions to which Adam subjects his characters, and their simultaneously alluring and repelling effects, are similar to the ways in which John Currin manipulates his female figures. The uncanny resemblance is likely no accident, as Adams and Currin are contemporaries of one another. Born within one year of each other, Adams and Currin are both BFA graduates of Carnegie Mellon University.
Photographer Henrik Isaksson Garnell “sculpts” his imagery with natural elements such as bones and plant matter, manmade objects, digital effects, and electronic ephemera. The result includes his new series “In Treatment,” a meditation on psychotherapy. The work moves between the cerebral and the surreal.
Australian artist Rodrigo Luff's paintings of women in luminous realms take us back to a more innocent time before Eve bit into the forbidden apple. Previously featured here on our blog, the Sydney based artist finds his inspiration in an array of artists, science and nature, from the electric colors of the Northern Lights to fantastical worlds created by Japanese animator Hayao Miyazaki. Luff's goddess-like characters are not visitors into this magical place, but feel right at home among flocks of owls, deer and other creatures of the forest. "I’m interested in the way we have always sought a connection to the natural world, and how that liminal, mysterious and wild realm reflects those uncharted dimensions within our psyche," he says.
In his debut show at Jonathan LeVine Projects, Lynyrd Paras offers a set of oil paintings that explore the primal and emotional feelings stemming from total bombardment. “Attack of the Wounded Surface" is on view online through Dec. 31. Paras, a Philippines-based artist, has previously seen his work featured in shows throughout Asia.

Subscribe to the Hi-Fructose Mailing List