Menu
The New Contemporary Art Magazine

Andrew Meyers Sculpts Portraits Using Thousands of Painted Screws

It's a warning sign at art galleries and museums around the world: "Don't touch the artwork." But one artist based in Laguna Beach, California wants you to do just that. Andrew Myers creates mixed media works with screws, oil paint, charcoal, bronze, cement, and found objects. "Distinct", "expressive" and "tactile" are words he uses to describe his portraits made of thousands of screws (a single piece can use up to 10,000 or more), where touch is important to experiencing the work as it brings the subjects to life with volume and texture.

It’s a warning sign at art galleries and museums around the world: “Don’t touch the artwork.” But one artist based in Laguna Beach, California wants you to do just that. Andrew Myers creates mixed media works with screws, oil paint, charcoal, bronze, cement, and found objects. “Distinct”, “expressive” and “tactile” are words he uses to describe his portraits made of thousands of screws (a single piece can use up to 10,000 or more), where touch is important to experiencing the work as it brings the subjects to life with volume and texture.

At his website, Meyers explains that one of his most defining and inspiring moments as an artist was watching a blind man experience his work for the first time. “As the man ran his hands over a large three-dimensional portrait tediously constructed with tens of thousands of screws over hundreds of man hours, his blank expression suddenly transformed into a warm smile. He could feel what others could only see,” Meyers shares.


Please Touch the Art from Cantor Fine Art on Vimeo.

“Most people are drawn to the portraits because they have something different about them. Seeing them in person is a whole different feel than seeing the photograph. They have a sense of depth that the photo can’t capture.” In light of this, Meyers recently collaborated with George Wurtzel, a blind artisan and teacher who must rely on his tactile sense to see and is building a Tactile Art Gallery in Napa. A new film titled Please Touch the Art records Wurtzel’s experience of Meyer’s work for the first time.

“We snuck into George’s future gallery and hung the portrait for him to discover. As he experienced this for the first time (and between bursts of laughter) he kept repeating the phrase, ‘Mind boggling.’ Not every piece of art needs to or should be touched… But perhaps it’s time we took a look at how pervasive and mandatory our “no touching” rules really are- it might help everyone see artwork a little differently.”

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Chris Jones's large-scale sculptural work looks fragile even though his subject matter often focuses on objects we presume to be tough, stable — even nearly unbreakable. In his current show at Mark Straus Gallery in New York City, a sports car melts and unravels before our eyes. A motorcycle tempts us to scratch and peel away its layers. Houses disintegrate into heaps of deteriorating objects. Jones works with abandoned and disused materials — old magazines, books, encyclopedias, paper ephemera and even trash — to create papier mache pieces that destabilize our view of the world around us. We create our environments through the accumulation of objects and materials. Jones's latest body of work pulls us back, reminding us how ephemeral and artificial these things are. It's a bleak reminder that material objects and the world we've built will not stand the test of time.
Kate Zambrano’s new paintings adorn found objects, shifting in tone and representing an evolution for the artist. Her work is part of an upcoming show at Modern Eden Gallery, "RE/FORM," in which she disassembles the human form. The show runs Oct. 13-Nov. 2 at the San Francisco gallery.
Ronald Gonzalez’s “Heads” series, combining found objects, metal filings, glue, wire, wax, and soot over welded steel, is a collection of haunting sculptures. The artist, based in upstate New York, is able to pull from several cultures and time periods in creating these strange works.
José Luis Torres is an Argentinean artist currently living in Quebec who builds largescale works out of salvaged objects. He's set up public art installations and sculptures all over the world, using everything from antique doors, window panes, to assemblages of brightly colored plastic as his materials. Often, his works have an overflowing effect as they burst from existing environments and architectural structures. His latest work entitled "Overflows" is a part of the 2015 Passages Insolites (Unusual Passages) event in Quebec City’s Old Port.

Subscribe to the Hi-Fructose Mailing List