Menu
The New Contemporary Art Magazine

Opening Night: “Perverse Foil” by Karen Hsiao and Dan Quintana at Marcas Contemporary Art

When we visited Karen Hsiao and Dan Quintana in their Los Angeles studio last month, they were hard at work on their collaborative show, “Perverse Foil”. It is a project that have been brainstorming about since 2009. On Saturday, they finally celebrated the opening at Marcas Contemporary Art in Santa Ana. At the event, attendees were treated to a live reenactment of their collaboration through a photoshoot by Hsiao in front of a backdrop by Quintana. She compliments Quintana’s surreal world with new black and white photographs and notably, her first figurative oil paintings and graphite.

When we visited Karen Hsiao and Dan Quintana in their Los Angeles studio last month, they were hard at work on their collaborative show, “Perverse Foil”. It is a project that have been brainstorming about since 2009. On Saturday, they finally celebrated the opening at Marcas Contemporary Art in Santa Ana.


Left to right: Karen Hsiao, artist and model Stephanie Inagaki, and Dan Quintana on opening night.

At the event, attendees were treated to a live reenactment of their collaboration through a photoshoot by Hsiao in front of a backdrop by Quintana. She compliments Quintana’s surreal world with new black and white photographs and notably, her first figurative oil paintings and graphite. “The theme is based on the idea that my models are specters and the charcoal backgrounds are the reality in which they exist in,” Hsiao shares. Quintana chose to pair these with five large charcoal on photographs on printmaking paper. We were allowed to watch as he drew these in their combined studio. As he drew, Quintana let the flow of Hsiao’s subject to dictate the ghostly, strange creatures that clutch and surround her. The effect is romantic in an unconventional way. It is also suggestive of the close relationship between these two artists who share a dark symbolism in their works. Despite the realistic style they have achieved, they are guided by their own imaginary world than anything set in reality.

“Perverse Foil” exhibits at Marcas Contemporary Art through August 31, 2014.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Dynamic and skillfully executed, there is more than meets the eye in the figurative work of Chinese artist Mohan (默涵). His subjects are usually women, cast as little girls, brides and patriots, placed in idealized settings. We find them at home, cheering their comrades, or quietly contemplating their futures in moody landscapes of China. In recent works, they also venture to foreign cities like Paris. They are lit with the softness of Romanticism, with an attention to detail that borders hyperrealism.
A New York City art space with a penchant for the macabre, Last Rites Gallery currently has its annual group show, "The 13th Hour," on view just in time for Halloween. The show features artists who have come to be associated with Last Rites — Dan Quintana, Naoto Hattori, David Stoupakis, menton3, Paul Booth — as well as many unexpected participants like Hannah Yata, Nicomi Nix Turner, Brin Levinson and Jean Labourdette. However, these are just a few examples of the show's wide-ranging roster. Take a look at some highlights from the exhibition below and check out the show through November 15.
Swiss artist Till Rabus crafts realistic oil paintings that exhibit both a whimsical and darker side to nostalgia. His version of a “Transformer” may consist of household objects, and his combined Disney dolls hint at the toll time takes on the icons of youth. The artist’s striking style may make viewers mistake the works for manipulated photographs, at first glance.
"All people- and nature itself- have distinctive layers," says Pittsburgh based painter Mara Light. Teetering between a classical sense of realism and abstraction, her textured oil paintings aim to explore the layers of ourselves that we show and the others we hide within. Her subject matter is almost always women, whose emotions permeate the surface of her work's repetitive layering, scrapes, tears and drips of turpentine over certain areas, a process she enjoys for its unpredictable nature. For her current series, titled "Beneath the Surface," she sees her artistic explorations as more than a way to add visual interest to her work, but also as a metaphor for her personal experiences.

Subscribe to the Hi-Fructose Mailing List