Menu
The New Contemporary Art Magazine

Preview of Dalek’s New Geometric Murals for SMOCA

James Marshall aka Dalek (featured in Hi-Fructose vol.15) is in Arizona this week working on an installation at Scottsdale Museum of Contemporary Art. His new murals are a part of a series intended to transform the entire space which is home to some of Dalek’s artistic influences. His works lead attendees through the museum’s lounge, retail space, and into the courtyard, featuring a collaboration between SMOCA and Scottsdale Public Art. These progress photos show how Dalek uses geometric colored bands to create a connection between the interior and exterior environments. Take a look after the jump.

James Marshall aka Dalek (featured in Hi-Fructose vol.15) is in Arizona this week working on an installation at Scottsdale Museum of Contemporary Art. His new murals are a part of a series intended to transform the entire space which is home to some of Dalek’s artistic influences. His works lead attendees through the museum’s lounge, retail space, and into the courtyard, featuring a collaboration between SMOCA and Scottsdale Public Art. These progress photos show how Dalek uses geometric colored bands to create a connection between the interior and exterior environments. The bands, interjected with abstract forms, ever so slightly curve with the shape of their surroundings. Warm peaches and pinks invite one into the space while cool yellows and greens compliment the outdoors. Take a look at a preview of the works which will be completed in the week ahead.

Images courtesy Sean Deckert/Calnicean Projects.

Images courtesy Dalek’s instagram.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Australian artist Reka (covered here), now based in Berlin, has become recognized for the colorful and energetic aesthetic of his graffiti and paintings. The figures in his work have a variety of characteristics that are whimsical, yet bold and vigorous. His new body of work, "OLYMPVS," on view at AvantGarden Gallery in Italy, continues to mix contradicting styles. Inspired by scenes from Ancient Greece and its Mount Olympus, Reka's new pieces combine classical themes with a futuristic look. In poppy, vibrant colors, fragmented into Cubist compositions, he depicts bathing nudes, marble busts, and still life.
New Zealand based artist Meredith Marsone's muted oil portraits reveal glimpses of her subjects in emotional and peaceful moments, "sparks" of realism amidst abstraction. They are typically painted with realistic details juxtaposed against areas of impasto, paint applied thickly enough that the brush or painting-knife strokes are visible. It's a technique that she admits was borne out of frustration and is an artistically risky one, a process that she details at her Youtube channel and blog, where she recently wrote, "I think the best work I've made has been about things that are meaningful to me personally and have been about something I've had experience in."
Connecticut based artist Carly Janine Mazur employs a limited palette and repetitive design in her portraits. Her latest series, "Metamorphosis", on view at Arch Enemy Arts gallery in Philadelphia, shows her growing interest in this mixture of the figurative and abstract. Working in oils and acrylics with metallic accents, her paintings portray classical-bodied female nudes intermingling with their environment.
Atlanta, Georgia based artist Sarah Emerson's paintings and murals portray a world where sweetness and craziness collide in energetic displays. These colorful landscapes present a bizarre version of actual places or things, inspired by the ways that time and human intervention affects them. Words like loopy, cartoony, even psychedelic are often used to describe her imagery, populated by Disney-cute animals like baby deer and googley-eyed creatures, who peek through a thick foliage of wavy shapes and lines. Emerson once said that if there is any message that runs through all of her paintings, it's that life is delicate and temporary, and she urges us to be present in it. This philosophy is at the heart of her solo exhibition at the Museum of Contemporary Art of Georgia, "The Unbearable Flatness of Being".

Subscribe to the Hi-Fructose Mailing List