Menu
The New Contemporary Art Magazine

Doze Green Returns to NYC With ‘A Volta’

With “A Volta,” Allouche Gallery looks at the evolution of the legendary b-boy and street artist Doze Green through paintings and drawings. In the show, viewers find an artist who influenced a generation and a transformative moment in his practice upon moving to Brazil. Green was most recently featured in Hi-Fructose's print magazine with Volume 35.

With “A Volta,” Allouche Gallery looks at the evolution of the legendary b-boy and street artist Doze Green through paintings and drawings. In the show, viewers find an artist who influenced a generation and a transformative moment in his practice upon moving to Brazil. Green was most recently featured in Hi-Fructose’s print magazine with Volume 35.

“This collection marks the evolution of my 30-plus years of studio work, originating from the explosively creative liminal space I found myself early in my career, both as a writer and breakdancer, heavily influenced by Dondi White, Rammellzee and other mid 70s graffiti luminaries, pulling from this time the essence and energy of New York street art,” the artist says. “A Volta simultaneously deconstructs and interrogates the transition towards the figurative and abstract within my personal oeuvre and contemporary graffiti. Transcendental archetypes and neoclassical themes are reconfigured by my current expressive relationship to the world. Moving to Brazil shaped a new, deeper understanding of my visual language, catalyzing a new relationship to color, compositions and figures relating to the mythical, the astrological and the powerful energy of our Afro-Caribbean visual legacy.”

Find more on the gallery’s site.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
In his depictions of the everyday, Arcmanoro Niles recalls traditional figurative painting while subverting in his choice of hues and glitter—and also introducing strange characters into the scenes dubbed "seekers." These characters offer new insight and disruption to the people he pulls from his own life.
"I think that there is a lot to point out, and to work against in daily life, particularly with respect to American culture," said Dane Patterson in an interview with Art Plural Gallery, where he had his last solo show in 2013. "We are creatures of habit and we can quickly fall into routine. We’re rarely aware of the way we compartmentalize everything in our lives, or have had things defined and compartmentalized for us." His graphite drawings begin as documentations of daily life — but they evolve into strange hybrids of images intended to stir up the ritualistic qualities of our mundane existence. Patterson works from photographs in a process he describes as sculptural. First, he stages a scene, shoots it, and then combine the resulting photographic image with other sourced material to create a meticulous, surreal pencil drawing on paper.
The feelings of horror and rapture collide at high speeds when viewing Lauren Marx's work. The St. Louis-based artist creates beautiful vignettes that speak to the cycle of life. Rather than a cleaned-up, Disneyfied verson of nature, her paintings give us raw depictions of birth and death. Influenced my scientific illustrations and the Baroque period alike, Marx's maximalist mixed-media works present these cyclical phenomena in visually appealing ways, often fusing the chaotic elements of nature into stylized compositions with an emphasis on design. Marx's solo show, "American Wilderness," opens at Roq La Rue Gallery in Seattle on May 7.
Rafael Silveira’s surreal world expands in new paintings from the Brazil-based artist. The artist was most recently part of the "Mother & Child" group show at Dorothy Circus Gallery, with the below painting, “Trifacial Mother,” featured. Rafael Silveira Silveira was last featured on HiFructose.com here.

Subscribe to the Hi-Fructose Mailing List