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Preview: Rafael Silveira’s “Mind’s Eye Funfair” at Atomica Gallery

Rafael Silveira (whom we introduced on the blog here) is gearing up for his first European solo show, "Mind's Eye Funfair," opening at Atomica Gallery in London on March 19. His paintings on sculptural panels reveal glimpses into a warped universe where the familiar and the kitsch become absurd. Silveira is particularly interested in circus and carnival settings, and this exhibition is filled with nostalgic imagery that evokes attractions only found in vintage photographs. "Mind's Eye Funfair" will also include metal sculptures and works on canvas. The show will be on view through April 11.

Rafael Silveira (whom we introduced on the blog here) is gearing up for his first European solo show, “Mind’s Eye Funfair,” opening at Atomica Gallery in London on March 19. His paintings on sculptural panels reveal glimpses into a warped universe where the familiar and the kitsch become absurd. Silveira is particularly interested in circus and carnival settings, and this exhibition is filled with nostalgic imagery that evokes attractions only found in vintage photographs. “Mind’s Eye Funfair” will also include metal sculptures and works on canvas. The show will be on view through April 11.

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Not just Another Roadside Attraction: The Paintings of Rafael Silveira

In the way a funhouse mirror warps the mundane into the absurd, Brazilian artist Rafael Silveira combines innocuous imagery with the vaguely grotesque to provide a disorienting sensory experience not unlike that of a carnival, where the cheery morphs in and out of the eerie until they are no longer distinguishable.

The Recent Surreal Paintings of Rafael Silveira

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Preview: “Belle” Junko Mizuno Retrospective at Atomica Gallery

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Preview: Nick Sheehy’s “Metamorphosis” at Atomica Gallery

London art space Atomica Gallery is gearing up for the debut solo show of Australian artist and illustrator Nick Sheehy, opening June 12. Sheehy's new series of graphite and watercolor works on paper is dubbed "Metamorphosis," a reference not only to the yarn-like shapes that appear to represent a state of flux in his work, but to the transition between life and death and what lies in between. Skeleton characters are Sheehy's focus, though they take on a humorous and even personable appearance through the artist's caricature-like style. Skulls are exaggerated while the limbs remain an afterthought. Though Sheehy's line work is clean and sophisticated, the proportions of the characters add something childlike to the work. His skeletal beings appear to be experiencing a physical transformation. With fungus and plants springing from their eye sockets, they remind us that death is a part of life.
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