Menu
The New Contemporary Art Magazine

Sophie Prestigiacomo’s ‘Homo Algus’ Invites Swamp Creatures Out of the Wild

Sculptor Sophie Prestigiacomo reflects our ongoing and tense dialogue with nature with her swamp creatures in the Marshes Nature Reserve of Séné in the Gulf of Morbihan in France. It began with two mysterious beings a few years ago, and after they departed, a recent crowdfunding campaign to bring eight total to the reserve. Or as the campaign stated (as translated from French): “more numerous, more curious and probably convinced by the first visit of their two ambassadors, there was a relationship tie with the human species.”

Sculptor Sophie Prestigiacomo reflects our ongoing and tense dialogue with nature with her swamp creatures in the Marshes Nature Reserve of Séné in the Gulf of Morbihan in France. It began with two mysterious beings a few years ago, and after they departed, a recent crowdfunding campaign to bring eight total to the reserve. Or as the campaign stated (as translated from French): “more numerous, more curious and probably convinced by the first visit of their two ambassadors, there was a relationship tie with the human species.”

The figures are modeled with mud and seaweed, with the algae drying within the elements. The colors, textures, and “skin” of the creatures change over time, along with the organic landscape they inhabit. The sculptures offer a chance for onlookers to not only visit the site, but also engage in dialogue about biodiversity and our relationship to these lands.

Even though there’s a gothic, unsettling aspect to the design of the swamp creatures, the nature palettes and shifting nature of them offers a certain beauty. And even if we don’t understand what they are at first, viewers are drawn to make contact with them.



Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
In a new exhibition at Lotte Museum in Seoul, more than 500 works from artist James Jean are on display, from large-scale paintings and installations to to video art and stained glass sculptures. “Eternal Journey” opened on April 4 and runs through Sept. 1. Jean is in the Hi-Fructose Collected 4 Box Set, and was the cover artist for three issues: Vol. 48, Vo. 30, and Vol. 15.
Isaac Cordal has been leaving his sculptures of tiny cement figures in cities all over the world for years. Featured on our blog, his artworks hidden in plain sight feature gloomy people wading helplessly in puddles, other times peering through cracks in the sidewalk and concrete walls. They are part of an ongoing series that he calls "Cement Eclipses". Cordal explains, "Cement Eclipses is a critical definition of our behavior as a social mass. The art work intends to catch the attention on our devalued relation with the nature through a critical look to the collateral effects of our evolution." The Spanish artist recently updated his site with his latest works, installed in New York City in November.
Cleon Peterson’s stark, graphical reflections on our current political and social climate, rendered in acrylics on canvas and sculptures, are part of a show currently running at Over the Influence in Los Angeles. "Blood and Soil” collects his latest tableaux, confronting race, power, and religion. The show runs through Aug. 5 at the gallery. Peterson was last mentioned on HiFructose.com here.
Mexican artist Emil Melmoth crafts bleak, yet absorbing sculptures that combine gothic and religious themes. Or as the artist puts it himself, he's "inspired on the macabre, death culture, freakshow, medical anatomica, catholicism, deformities.” The artist's works are currently part of the show "The Wanderer's Dissection" at Last Rites Gallery in New York, lasting through Sept. 9.

Subscribe to the Hi-Fructose Mailing List