The New Contemporary Art Magazine

Tag: Stephanie Inagaki

"Ouroboros" by Lana Crooks

In All that Remains, the new exhibition at Stranger Factory, a diverse group of artists offer their own interpretations of the phrase, "What remains when all is said and done?" Curated by Lana Crooks (who also appears in the exhibition), the group show runs October 7-31, 2016. Participating artists include Adipocere, Jeremy Bastian, Jessica Dalva, Kristina Drake, Matt Hall, Stephanie Inagaki, Darla Jackson, Jessica Joslin, Jennifer Joslin, Mahlimae, Lauren Marx, Caitlin McCormick, Stephanie Metz, Christina Mrozik, Forest Rogers, Virginie Ropars, Sinan Soykut, Tyler Thrasher, Jake Waldron, and Katherine Walsh (FearsomeBeast). View more photos from All that Remains behind the cut.
Japanese artist Stephanie Inagaki's black and white charcoal drawings depict female figures that are not only an embodiment of her roots, but also of herself as an artist and a woman. For the past couple of years, she has been incorporating the Japanese ghost folklore and mythology of her culture into what she describes as "pillars of inspiration"; tall, bold, creative women, often self-portraits, that represent the well rounded woman Inagaki aspires to be. Previously featured on our blog, she likens the figures in her drawings to the Creation and Destruction goddesses like Kali from India or Izanami from Japan, and there is generally an underlying theme of life and death throughout. Inagaki invited Hi-Fructose into her new studio in Los Angeles to give us a preview and tell us more about the direction of where her work is going.
Closing this weekend is La Luz de Jesus gallery's juried show, "Laluzapalooza", which sets out to find and highlight new names from the LA art scene each year. Since the '80s, this exhibition has seen several iterations and thousands of submissions spanning kitsch to pop culture and La Luz's claim to fame, Pop Surrealism. This year's installment is as eclectic as ever with a focus on labor-intensive work of all mediums. Take a look at our photos from the show after the jump!
Stephanie Inagaki truly is a reflection of her art, and her art imitates the eclectic life around her. She is a Japanese artist living and working in Los Angeles, who we’ve previously featured here, and a well traveled individual with influences borrowed from various world cultures. Her charming studio is like a temple filled with these souvenirs, photographs of friends, her favorite art books, even her furniture has a deeply personal history. All of it provides the inspiration for her revealing and abstract charcoal self portraits. We caught up with her to learn more about why she exposes herself this way.
Last Saturday, Century Guild unveiled Stephanie Inagaki’s first major solo offering, “Metamorphosis”. The gallery is filled with historical furniture and paintings from the 19th and 20th centuries. Among these, you will find Stephanie Inagaki’s work. Inagaki is a reflection of her art and greeted visitors in an intricate black headdress of her own design. While her new paintings can be appreciated from a historical context, it’s her use of modern motifs that stands out. Read more after the jump.
Japanese mythology and folktales are the inspiration behind Stephanie Inagaki’s upcoming debut solo show at Century Guild on April 26th.  A southern California native, her work is a unique blend of personal history and strong sense of Japanese heritage. Inagaki’s intimate charcoal drawings of young women focus on themes of birth, growth, and emotional experience.  For “Metamorphosis”, anthropomorphic female figures such as winged sirens and mermaids are mixed with colorful, traditional Japanese motifs.

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