The people in Carl Beazley's portraits seem to be fighting internal battles to hold back their grimaces and make straight faces. His oil paintings feature young people wearing multiple expressions at once. Several small faces inhabit their full-sized heads, each one sending a conflicting signal. Some of Beazley's portraits look like a time lapse of a single gesture, while others are meant to confuse and amuse viewers with their incongruities.
The people in Carl Beazley’s portraits seem to be fighting internal battles to hold back their grimaces and make straight faces. His oil paintings feature young people wearing multiple expressions at once. Several small faces inhabit their full-sized heads, each one sending a conflicting signal. Some of Beazley’s portraits look like a time lapse of a single gesture, while others are meant to confuse and amuse viewers with their incongruities.
Jasmine Worth uses religious iconography to recall and challenge the role women have played in historical narratives. Her contemplative new paintings are featured in the show "Future Past" at La Luz De Jesus Gallery. The show starts today and runs through July 1 at the Los Angeles space. Worth was last mentioned on HiFructose.com here.
In her series "Flesch and Blood," Scottish artist Heather Nevary uses the painterly language of the Northern Renaissance to explore the complex and doleful moment, in which the innocence of childhood disintegrates, and the objects once held so dear, such as fantastical doll houses or toy animals, fall into oblivion or take on dubious agency.
Travis Louie’s creatures carry Victorian and Edwardian vibes, rendered in the artist’s distinctive, fantastical style. A show at Creatura House, the new Seattle venue from Roq La Rue Gallery founder Kirsten Anderson, collects a new set of paintings and drawings from the artist. Louie was last mentioned on HiFructose.com here. He and artist Travis Lampe also recently created the art for the card throwing/tile game Vampires vs. Unicorns: Floor War, constructed by game designer Jim DuBois and Hi-Fructose co-founder Attaboy.
Karine Rougier’s mystical "Wild waves in our hands" touches both on our tribal nature and explores femininity. The show is staged at Catinca Tabacaru Gallery in New York City throughout the month. On the show, the gallery says this: “Women are Rougier’s muses; poetry her nourishment: an ode to Ingeborg Bachmann, Rainer Maria Rilke, les Métamorphoses d’Ovide.”
