Menu
The New Contemporary Art Magazine

Travis Louie Paints Old-Timey Alien Characters in “Watch the Skies”

There was a resurgence of interest in UFOs and extraterrestrials in the 1970s after Swiss author Erich Von Daniken wrote "Chariots of The Gods." Travis Louie (HF Vol. 32 cover artist) grew up in that environment, and once thought of aliens as the ultimate immigrants. For his new body of work, "Watch the Skies", which debuts tonight at KP Projects/MKG in Los Angeles, Louie incorporates aliens into his cast of creature portraits. His monochromatic acrylic paintings have been likened to bizarre snapshots of monsters, to the effect of old-timey photographs from the Victorian and Edwardian periods. Though Louie has a longtime fascination with atomic-age science fiction, his aliens represent more than just a fantasy.

There was a resurgence of interest in UFOs and extraterrestrials in the 1970s after Swiss author Erich Von Daniken wrote “Chariots of The Gods.” Travis Louie (HF Vol. 32 cover artist) grew up in that environment, and once thought of aliens as the ultimate immigrants. For his new body of work, “Watch the Skies”, which debuts tonight at KP Projects/MKG in Los Angeles, Louie incorporates aliens into his cast of creature portraits. His monochromatic acrylic paintings have been likened to bizarre snapshots of monsters, to the effect of old-timey photographs from the Victorian and Edwardian periods. Though Louie has a longtime fascination with atomic-age science fiction, his aliens represent more than just a fantasy. “My work is a continuing conversation that started as a veiled commentary about the immigrant experience. Originally the paintings were portraits of mythical beings and curious characters who come from unusual circumstances,” he says. These include characters like “Clara”, who worries about wearing her antenna on straight, and “The Mysterious Harry Waxman”, a spidery visitor from another world who decided to live out his life on Earth. “No one knows for certain why [aliens] come here, and theorists have come up with all sorts of ideas that range from evil intentions to beneficial ones. I like to think they just come here to look around.”

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
This weekend, Merry Karnowsky will celebrate the opening of two exhibitions- Lezley Saar's solo exhibition "Monad", alongside group show, "Parallel Universe." It is a combination of artists who transport us into alternate realities with their art. For her previous exhibition at Merry Karnowsky, covered here, Lezley Saar touched upon divine aspects of womanhood in a 19th century inspired installation. This concept is apparent in her show "Monad", after the Divine first being or totality of all beings. More after the jump.
Through a unique process of applying thin, translucent layers of monochromatic, acrylic paint to a panel over and over, Travis Louie (HF Vol. 32 cover artist) mimics the effect of 19th-century photography. Though filled with fantastical characters, his works have an effect of verisimilitude much like historical documents from the Victorian and Edwardian periods. For his latest solo show, "Archive of Lost Species," which opens at Roq La Rue Gallery in Seattle on May 7, Louie abandons the studio portrait format we've seen before. Instead, his latests works look like snapshots of strange monsters, sometimes observed in the wild and sometimes interacting with their human counterparts.
Merry Karnowsky set the mood of the holiday season with their year-end exhibition, "Praeteritum Nunc Futurum" on Saturday. Outside, the weather was crisp and colored lights lit the window, while inside the gallery offered a preview of shows to come. Although wide open in theme, works by artists Craola, Travis Louie, Nicola Verlato, Andrew Hem, Lezley Saar, Todd Carpenter, devNgosha, and more compliment eachother nicely. Take a look at our photos from opening night after the jump!
Yesterday, we brought you our highlights of UNTITLED art fair, SCOPE Miami Beach, Miami Project and Art on Paper. Today, we continue our coverage with one of the most popular fairs during the jam-packed Miami Art Week- PULSE Miami Beach. Despite the dreary Miami weather, PULSE was in high attendance and notable for its engaging and interactive installations in collaboration with Target that attracted art lovers of every age. Designed as a platform for new video and media art, "Target Too" combined items sold at Target with art- though some blasted it as a commercial "sell-out", we couldn't help but smile at some of the works on display like Daniel Rozin's Insta-worthy "Troll Mirror", a mirror made of hundreds of pink and green treasure trolls that reflected your silhouette as you moved around the piece. Take a look at more of our highlights from PULSE Miami Beach after the jump!

Subscribe to the Hi-Fructose Mailing List