Menu
The New Contemporary Art Magazine

The Cityscapes of Matias Bechtold

Matias Bechtold uses cardboard, plastics, and objects found around a home to erect intricate cityscapes. One of the most dazzling aspects of Bechtold’s work is how he’s able to use packaging materials and even vacuum cleaners to create texturally convincing skylines. In an architectural sense, the artist is also playing with what’s possible within the future of that industry.

Matias Bechtold uses cardboard, plastics, and objects found around a home to erect intricate cityscapes. One of the most dazzling aspects of Bechtold’s work is how he’s able to use packaging materials and even vacuum cleaners to create texturally convincing skylines. In an architectural sense, the artist is also playing with what’s possible within the future of that industry.

“For Bechtold large can effortlessly become small, and small can just as easily become large,” Laura Mars Grp. says. “To him the real dimensions of any thing, be it a highrise tower or a vacuum cleaner, are of merely secondary importance; rather he perceives about these and other things structural relations regarding their shape und styling – and may thus transform something as mundane as orange-colored display trays for throwaway lighters into elements of a building’s façade replete with see-thru views of intricately furnished and sometimes illuminated-from-within rooms.”

See more of his creations on his site.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Originally built by architect Andre Bloc in 1949, La Maison Bloc is an unusual, geometric house owned by curator and collector Natalie Seroussi. Viewers must enter the dwelling's sculptural interior through a hidden hollow in its wooded surroundings in Meudon, France. Seroussi has been inviting artists to create architectural interventions and installations in and outside the structure since 2008. Her latest guest artist, Didier Faustino, altered the space with a bright, rust-colored entrance in the shape of a "Pow!" visual onomatopoeia. The outdoor work (which brings a loud, blatant pop culture reference into the quiet forest) leads the way into a sound installation composed of whimpering voices. A neon arrow sign sculpture illuminates the interior, further alluding to comic book imagery.
Though we have developed a culture that places us at the center of the universe, the forces of nature will continue to exist with our without mankind. This is a notion that Japanese sculptor Ocoze explores in his mixed-media works where trees and plant life appear to overtake man-made objects and architecture. The small-scale, refined works use combinations of plaster, steel and resin with found objects. At times Ocoze's miniature structures appear to be thwarted by the burgeoning plant life, while in some pieces buildings are sculpted in what looks like a symbiotic relationship with the trees. One of Ocoze's recent works, in which a castle rests atop a moss-covered skull, brings home the message that life is impermanent and nature will ultimately prevail.
Making art wasn't the only creative outlet for Penland based sculptor Dustin Farnsworth growing up. His high school drama program helped instill in him an affinity for the theatrical: his sculptures feature mixed media figures and life sized heads adorned with headdresses that resemble theaters and architectural spaces. Also the son of a carpenter, his father, who built marionettes and a medical illustrator, his mother, it would seem that his work is the perfect combination of his upbringing.
Vasco Mourao, who goes by the moniker Mister Mourao, describes himself as “an architect turned into an artist with a tendency for obsessive drawing.” In his new series, “Ouroborus,” he combines mediums for renderings of buildings that flow in continuous loops. These structures neither begin nor end, offering countless points of entry.

Subscribe to the Hi-Fructose Mailing List