Portland illustrator Song Kang blends architecture and natural structures in both her intensely detailed drawings and her absorbing sculptures. The latter even uses the inherent forms of the animal kingdom as foundations for her designs. The “Vernacular” series has works created from wood, paper mache, plaster, fiber, recyclables, and other materials.
“The term ‘vernacular’ tends to correlate with all things commonplace; however, in the architectural sense, the ‘vernacular’ exemplifies man’s abilities to adapt to his surroundings and build with his environment,” the artist says, on her sculptures. “This series explores the symbiotic relationship between the vernacular home and the environmental context in which it exist.”
Her series “Carved in Stone” carries a more literal title, with structures implanted in stone-like sculptures. See more of the artist’s sculptures—as well as a couple drawings—below.
Aspencrow's hyperrealistic figurative sculptures blend the provocative with pop. Blending materials like resin, fiberglass, and silicone, his works serve as both admiring and wry portraits. The artist was born in Lithuania and moved to England to attend Birmingham City University, School of Art.
In some strange future, 
South African artist Mary Sibande explores race, history, gender, and other social themes, her visceral mixed-media figures constructed from fiberglass, cotton, resin, and other materials. She uses a sculptural representation of herself, Sophie, to also look at her own family’s generational narrative. Her practice also includes photography, integrating the themes of her sculptures and installations.
The samurai's enormous impact in Japan was even felt in fashion, and in Tetsuya Noguchi’s sculptures and paintings, contemporary fashion influences their own garb. "This Is Not a Samurai" is the artist's new show at Arsham/Fieg Gallery in Kith Soho. The micro-gallery in New York City has garnered praise for giving smaller works attention. The show kicks off today at the small space.