Menu
The New Contemporary Art Magazine

Max Seckel’s Absorbing Mixed-Media Environments

Max Seckel’s dwellings and landscapes, rendered in acrylics, gouache, latex, and spraypaint, invite viewers to make their own observations. The New Orleans painter rendered his lived-in environments without depicting any figures in his works. Yet, in each, there’s a certain humanity depicted and reflection inspired.

Max Seckel’s dwellings and landscapes, rendered in acrylics, gouache, latex, and spraypaint, invite viewers to make their own observations. The New Orleans painter rendered his lived-in environments without depicting any figures in his works. Yet, in each, there’s a certain humanity depicted and reflection inspired.

“My work aims to explore my own reactions to and perception of the world surrounding me,” the artist has said. “Informed by memories, dreams, conversations, and just plain looking around and being I assemble a world constructed of absurdities and references. Objects are clustered together and arranged with little respect to context, intending to create a sense of wonder and confusion as the viewer works to make sense of the situation presented.”

See more of Seckel’s work below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Baptiste Hersoc’s drawings and paintings merge unlikely objects and organic parts, with both humorous and ghastly results. The artist has both illustration and fine art practices, with book contributions, magazine projects, and regular collaborations. His “Introspection” series uses the human body as its theme.
Matthew Stone creates surreal, figurativeworks that are a combination of digital printing and acrylic on linen. The London-based artist, part of the art collective !WOWOW!, has worked in painting, photography, sculpting, performance art, writing, and other endeavors. “Healing With Wounds,” a newer body of work, is said to be “showing diverse bodies at play and in conflict.” He was last mentioned on HiFructose.com here.
Thursday night's opening of Alex Gross's "Future Tense" at Jonathan LeVine Gallery in New York's Chelsea district greeted viewers with a heavy dose of consumer culture. The exhibition initially comes off as accessible and playfully reflective of modern addictions, yet the works as a group are rather grim and much harder to swallow than their glossy, candy-colored exteriors would suggest.
Mexico City-born artist Francisco Moreno has created a painting installation titled "The Chapel," with the interior of the structure crafted in pencil, vine charcoal pencil, and acrylic. The installation is part of is part of the show "The Chapel and Accompanying Works" at Erin Cluley Gallery in Dallas, running through May 19.

Subscribe to the Hi-Fructose Mailing List