Bom.K continues to evolve his varied, bombastic style with recent work that appears as a controlled cacophony of influences. Works like “Anything” (above) implement spraypaint and the canvas, offering a look at approaches the artist has used throughout his career. He was last mentioned on HiFructose.com here.
“Founding member of the mythical DMV crew, Bom.ka developed in the 90s a unique style of characters, combining his old school influences technique and precision without equal,” a statement says, as translated from French. “Since the early 2000s, he has moved away from the traditional rules of graffiti to follow his own path, especially on canvas. Through his painting, Bom.K transports us into a frightening freak show that mixes in an anguishing way, deformed monsters and hybrid creatures.”
See more of his recent work below.
Examining the theme of survival, the floral figures of 
The work of Sean Landers has long examined the relationship between artists and their own work, including the adventures of the character Plankboy. In a recent show at Rodolphe Janssen Gallery, he shared new paintings featuring Plankboy, many taking on mythological narratives. Landers was last featured on our site 
With his distinct thin brushstrokes in acrylics and Indian ink, Glenn Brown’s swirling portraits offer both art-historical reverence and his own distinctive sensibility. Elsewhere, in his work in oils have a particularly unsettling quality, the textured faces of his subjects melting into different hues.
The paintings of