
Stephen Fox says he’s always had a fascination with “light within the nighttime landscape,” and with series like “The Drive-Ins,” the painter explores a place where luminosity has a particular role to play. Nostalgia comes through not only in the setting, but the classic films he chooses to portray. The artist has spent decades playing with light in oil paintings.




“ … When I was seven years old, I’d play an outdoor game with friends, where at dusk we had to dodge the headlight beams of cars coming into the neighborhood, diving behind trees or into ditches when the light was about to find us,” the artist says. “I didn’t have past events like this on my mind when I began to paint nighttime subjects in the early 1980s, but the attraction was definitely there, a kind of calling. How strange now, that I sometimes find myself collecting images out in a darkened landscape, where the headlights or tail lights of a passing car are the magic ingredient that enlivens a scene for a few moments, turning it into something I wish to paint.”
See more of the artist’s recent work below.








Singapore-born, Los Angeles-based artist
With "Shine," painter Ken Flewellyn further explores the golden age of hip-hop and intersecting cultures. The show, currently running at Thinkspace Projects in Culver City, offers a set of new works, including a collaboration with artist Brian Viveros. Flewellyn was recently featured in print with
Philadelphia-born artist Lisa Yuskavage has become known for her fantasized images of women in stages of undress, and not without controversy. Scantily clad, her subjects' sexuality plays an important role in her art where men have largely been ignored. In her new series of paintings and pastels, currently on view at
Oil painter and Lowbrow pioneer