Menu
The New Contemporary Art Magazine

Lisa Yuskavage’s Portrays Seductive “Hippies” in New Figurative Works

Philadelphia-born artist Lisa Yuskavage has become known for her fantasized images of women in stages of undress, and not without controversy. Scantily clad, her subjects' sexuality plays an important role in her art where men have largely been ignored. In her new series of paintings and pastels, currently on view at David Zwirner Gallery in New York alongside Yayoi Kusama (covered here), Yuskavage finally tackles the opposite sex. Called "Hippies," her male and female cast is only loosely inspired by the free-spirited sub-culture. Yuskavage's also possess an otherworldly feel with seductive and religious undertones.

Philadelphia-born artist Lisa Yuskavage has become known for her fantasized images of women in stages of undress, and not without controversy. Scantily clad, her subjects’ sexuality plays an important role in her art where men have largely been ignored. In her new series of paintings and pastels, currently on view at David Zwirner Gallery in New York alongside Yayoi Kusama (covered here), Yuskavage finally tackles the opposite sex. Called “Hippies,” her male and female cast is only loosely inspired by the free-spirited sub-culture. Yuskavage’s also possess an otherworldly feel with seductive and religious undertones.


“Hippies”, 2013, Oil on linen, 82 x 66 1/2 inches

These innuendos can be found in the classical style that she poses her nudes in, as in her titular piece “Hippies,” completed in 2013. It is an oil on linen portraying five figures emerging from a single monochromatic nude, as if they were splitting from her being. Others are more directly referential, such as “Dude Looks Like Jesus.” Yuskavage applies the same Renaissance-era techniques to her portraits as before, set against brightly-saturated colors and vast landscapes. Among her color inspiration, she credits works by Jean Fouquet and Jasper Johns, creating a playful mix of art history references and pop culture. These tonal variations are meant to imply the presence of the supernatural, adding to Yuskavage’s concept. She describes them as “incubi and succubi—folkloric demons who exist to seduce.” Take a look at more of her works in “Hippies” below, on view at David Zwirner gallery through June 13th.

 

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
In Michael Villagante's recent oil paintings, the artist's distinct texture and ability to evoke past masters and mythology shine. A recent body of work, under the title of "Higher Ground" in a recent show at Art Verité in his native Philippines, takes his work in a direction that offers more peace than turmoil, even as the human body is overtaken by the surrounding elements.
Italy-born painter Fulvio Di Piazza offers a new collection of oil works on canvas in the new exhibit “Entangled” at Jonathan Levine Gallery in January. The solo show kicks off on Jan. 7 and runs through Jan. 28. Di Piazza was featured in Hi-Fructose Vol. 25 and the exhibit "Turn the Page: The First Ten Years of Hi-Fructose," a collaboration between the magazine and Virginia MOCA.
Van Arno’s latest series, “Upright,” represents yet another evolution for the painter, who has worked professionally for two decades and taught for five years. Arno was last featured on HiFructose.com here.
Missouri based artist Adrian Cox's fleshy "borderlands" and their inhabitants may look off-putting and weird, but there is also natural beauty to be found in this imaginary world. His oil paintings, works on paper, and sculptures are all treated with the soft touch of 19th century Romantic landscape painting. Previously covered here, Cox's human-like subjects called the "Border Creatures" have been compared to David Lynch's Elephant Man; abstract lumps of skin and muscle with vague features. His latest series introduces new characters, "gardeners," the caretakers of glowing mounds of birds, bugs and snakes. 

Subscribe to the Hi-Fructose Mailing List