Menu
The New Contemporary Art Magazine

Ken Flewellyn Returns to Thinkspace With ‘Shine’

With "Shine," painter Ken Flewellyn further explores the golden age of hip-hop and intersecting cultures. The show, currently running at Thinkspace Projects in Culver City, offers a set of new works, including a collaboration with artist Brian Viveros. Flewellyn was recently featured in print with Hi-Fructose Vol. 47.

With “Shine,” painter Ken Flewellyn further explores the golden age of hip-hop and intersecting cultures. The show, currently running at Thinkspace Projects in Culver City, offers a set of new works, including a collaboration with artist Brian Viveros. Flewellyn was recently featured in print with Hi-Fructose Vol. 47.

“The juxtaposition of formal cultural garb and pop cultural accoutrements keeps the work fascinating,” the gallery says. “These tightly cropped compositions are always informed by the presence of Hip Hop imagery, whether in the form of boom boxes, tapes, gold chains or typography. Playful and energized with tactility and detail, they’re both sensual and contemporary – solemn and light. Each painting featured in Shine is adorned with the sumptuousness of gold and includes hidden Hip Hop references to its golden age throughout, all as an ode to the genre that has never lost its shine.”

“Shine” runs through Nov. 2. See more on the gallery’s site and Flewellyn’s own page.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles

Amy Hill - "Apathy"

New York-based artist Amy Hill puts her contemporary spin on the work of 15th century painter Hans Memling in her series of oil paintings titled Seven Deadly Sins. Hill is known for adapting the styles of early Dutch and Flemish Renaissance painting and placing historical subjects within modern day settings. On her website, the artist writes, "I chose these eras because of my stylistic kinship with their artists, which allows me to carry on a kind of dialogue with them... I have chosen portraiture as it is a genre that runs through art history and allows me through poses, gestures and fashion detail to make social, psychological and anthropological statements about my subjects."

Examining masculinity and power, Scott Scheidly’s paintings re-contextualize real and fictional villains. Elsewhere in Scheidly’s practice, he injects the grotesque into floral motifs, further underscoring the painter’s knack for satire and subverting expectations. The artist’s humor is also evident in his short bio: “At age four I attempted my first art project by devouring a 10 pack of crayons thus turning my diaper into a Jackson Pollock.”
Figures are subsumed in textured paint that drifts over the horizon like a thick fog in Federico Infante's mysterious configurations of oils on canvas. Infante begins by working with the background, layering different pigments in an intuitive process that yields unique hues of taupe and dusky blue. But despite their abstract nature, Infante's paintings reveal a narrative quality within his careful selection of figurative details.
Jeff Gillette’s paintings juxtapose the ruinous landscapes of shanty towns with the flourishes of Disney theme parks. In a new show at Copro Gallery, titled "Worst Case Scenario," the artist's latest explorations are shown. The show runs through July 7 at the Santa Monica space. Gillette was last featured on HiFructose.com here.

Subscribe to the Hi-Fructose Mailing List