Menu
The New Contemporary Art Magazine

Schellekens & Peleman’s Giant Inflatable Refugee Arrives in Copenhagen

A gigantic 20-foot tall inflatable refugee, which arrived in Copenhagen this week, is currently making headlines as it sails around the world. The sculpture is part of an effort by Belgian visual artist collective Schellekens & Peleman, who want to bring attention to the European refugee crisis- "a "symbol of the dehumanization of the refugee and the current refugee crisis happening in the world."

A gigantic 20-foot tall inflatable refugee, which arrived in Copenhagen this week, is currently making headlines as it sails around the world. The sculpture is part of an effort by Belgian visual artist collective Schellekens & Peleman, who want to bring attention to the European refugee crisis- “a “symbol of the dehumanization of the refugee and the current refugee crisis happening in the world.”

Inflatable Refugee 2015 from Schellekens Peleman on Vimeo.

More than a million migrants and refugees have crossed into Europe in the last year alone, sparking a crisis as countries struggled to cope with the influx, and creating division in the EU over how best to deal with resettling people. The vast majority arrived by sea but some migrants also made their way over land by way of Turkey and Albania.

Schellekens & Peleman’s sculpture depicts a migrant refugee wearing a life jacket and clutching his knees. As the figure rocks back and forth with the waves, one can see how vulnerable it is to the elements, demonstrating the terrible odds that real refugees must face at sea. With the help of the Hawila Project, the piece has so far traveled from Venice, to Antwerp and Uppsala, with plans to go on to Rotterdam and Melbourne.

Schellekens & Peleman have set up an international correspondence project so that refugees can initiate a conversation with those in a similar position. Visit their website for details.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Luke O’Sullivan (previously featured here) creates three dimensional art that brings the worlds of drawing and sculpture together. Inspired by dystopian science fiction films, O’Sullivan builds environments composed of peculiar buildings and subterranean lairs. Using textured façades as well as screen-printed surfaces, his latest series of works entitled “Cool Shelter" creates a fantastical scene of overworld and underworld labyrinths. The artist will present his latest series on Friday, July 24th at Paradigm Gallery in Philadelphia, PA. Hi-Fructose was invited to have a special exclusive preview into Luke O’Sullivan’s latest layered industrial landscapes.
Courtney Mattison’s ceramics are clearly inspired and motivated by the ocean — that immense, powerful and precious resource whose details are still largely hidden from us. Self-identifying as both an artist and “ocean advocate," Mattison has created massive installations, “Our Changing Seas, I-III,” that cover a bio-diverse selection of coral reef forms. Displayed in a gallery, the pieces appear to grow out of the wall, as if miraculously alive in the dry, alien atmosphere. The ceramic medium allows for remarkable ranges in color, spanning the spectrum of actual living coral to the bone-dry, matte whiteness of its dead state. Both versions are present in Mattison’s pieces, reminding us that these entities are desperately in need of preservation. "Our Changing Seas III" is currently on view at the Tang Museum at Skidmore College in Saratoga Springs, NY.
Eagles, butterflies, beetles, skulls and human hearts are just a few of the things that British artist Phil Robson, aka "Filfury" has shaped using sneaker parts. The self-described 90s child defines his work as a "a battle of pop culture vs nature", turning his obsession with sneakers, hip hop culture, and our own over-consumption of mass products into an unlikely source material.
Czech artist Richard Stipl began his career as a painter, before moving on to the unsettling figurative sculptures for which he’s now known. The artist, based in Prague, conveys varying emotions and uses both two-dimensional and three-dimensional ideas to wrestle with humanity. A statement maintains that the work toils with the idea of creating art in itself. Materials used include oil on wax, ink on wood, clay, silver leaf, and several other tools.

Subscribe to the Hi-Fructose Mailing List