Menu
The New Contemporary Art Magazine

Dirk Staschke Reinterprets Vanitas in New Sculptural Works

Ceramicist Dirk Staschke, featured in HF Vol. 23, has meticulously studied Dutch and Flemish still life painting, specifically, the Vanitas genre, to create his work. Some of his new works for the "Nature Morte" exhibition at the American Museum of Ceramic Art (AMOCA) expose Staschke's hand-executed process, and we are finally able to see the creative thinking behind his disturbingly delicious imagery of florals and food tableaus.

Ceramicist Dirk Staschke, featured in HF Vol. 23, has meticulously studied Dutch and Flemish still life painting, specifically, the Vanitas genre, to create his work. Some of his new works for the “Nature Morte” exhibition at the American Museum of Ceramic Art (AMOCA) expose Staschke’s hand-executed process, and we are finally able to see the creative thinking behind his disturbingly delicious imagery of florals and food tableaus.

In Staschke’s three-dimensional “paintings”, the notion of space gets a whole new meaning: where usually nothing would be behind the canvas, he leaves an unrefined mound of clay that displays how it was done. In other words, if his works were a theater play, the audience would be able to see the actors rehearsing as well as their performance. Instead of just contemplate and admire, it’s a style that makes us consider the artist who sculpted the piece.

In Staschke’s ceramic piles of pastries, meats, and vegetables, he follows in the tradition of Vanitas, works of art that held a hidden symbolism. The Vanitas genre is mainly about the futility of pleasure and the certainty of death and Staschke seeks to “translate that futility into artistic gesture by rendering what is representational and static in the fluid medium of glaze.”

Not just merely representational images of bones, hourglasses, and skulls, commonly used motifs by Staschke, these “deadly mountains” of objects imply something more sinister- they represent an insatiable urge to consume and the destructive power of human desire. The “Nature Morte” exhibition will be on view until September 18th at the AMOCA, in Pomona, California.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Crystal Wagner’s otherworldly installations are both spellbinding and unsettling. The works resemble something organic, yet are constructed from paper, wire, wood, paint, sealant, and other materials. Her recent pieces are part of the new show "Dimensions of Three" at Allouche Gallery in New York City, along with Martin Gremse and Reinoud Oudshoorn. The show starts Nov. 30 and runs through Dec. 31. The artist was featured in Hi-Fructose Vol. 41, and she last appeared on our website here.
Using the unexpected material of spaghetti, designer-artist Alice Pegna creates elegance and striking pieces adorning mannequins. Her series, "Ex Nihilo," features ongoing experimentation that encompasses headdresses, dresses, and objects. The strands’ rigid, uncooked form allows the artist to craft geometric designs, culminating in the bold final result seen below.
On Saturday at Mark Moore gallery, Rob and Christian Clayton aka Clayton Brothers brought together an expansive body of eclectic work, "Open to the Public" (previewed here). The exhibition includes everything from miniature drawing, painting, sculptures, interactive video and an installation that is like a twisted child's playroom. The brothers credit their thrift shop "mecca", the Sun Thrift Store in Sunland, CA as the visual inspiration.
Specializing in the Japanese art form of paper architecture, Amsterdam-based artist Ingrid Siliakus creates incredibly detailed architectural masterpieces from single pieces of paper. In order to achieve a final result with the complexity and beauty that she intends, Siliakus may produce anywhere from 20 to over 30 prototypes: “Paper architecture does not bare haste, it is its enemy,” she says. “One moment of loss of concentration can lead to failure of a piece.”

Subscribe to the Hi-Fructose Mailing List