
David Altmejd’s unsettling mixed-media sculptures subvert and mutate the figurative, while exploring our relationship to science and mythology. With works like “L,oeil” (above), he uses a robust set of materials: expanded polystyrene, epoxy dough, fiberglass, resin, synthetic hair, quartz, Sharpie and pens, gold leaf, glass paint, and much more. Throughout these forms, Altmejd creates surreal embellishments with natural and unnatural emulations.





“Over the course of the past fifteen years, David Altmejd has been working through questions about the relationship between the human body and larger energy systems of physics, electricity and biology,” a statement says. “The forms his works take tend towards the fantastical; he builds up complex characters who occupy unfamiliar mythological narratives, all the while alluding to the inevitable destruction and decay of all biological matter.”
See more of the artist’s work below.







For his new show at Sies + Höke in Düsseldorf, Germany, Marcel Dzama created a massive wall drawing to accompany his several new mixed-media drawings, sculptures, and 2-channel video. "Be good little Beuys and Dada might buy you a Bauhaus," opening this week, marks the 20th anniversary of collaboration between the Canadian artist and the gallery. The show runs through Oct. 26.
Blending two- and three-dimensional forms, Mark Whalen creates cerebral and absurd arrangements of the human body. Whether stacking vibrant heads or using sculpted hands to sculpt the very shapes of canvases, there’s a metatextual component in tackling the act of creating art itself.
Though research has emerged linking excessive social media use with anxiety and depression, our collective internet addiction shows no sign of slowing down. The fictionalized, digital selves we present to the online world comprise the bulk of some people's social interactions. Australian artist