Menu
The New Contemporary Art Magazine

Os Gemeos’s “EfeMero” Mural Turns Building into Giant Train Car

Brazilian twin artists Os Gemeos, Gustavo and Otavio Pandolfo, were recently in Milan, Italy, working on a large mural installation for Pirelli HangarBicocca's new public art project, Outside the Cube. Their mural, titled "Efemero" (ephemeral) features one of their signature, colorful characters climbing up the hangar-shaped building, painted to look like a subway car. The site-specific piece also incorporates logos from international metro systems and personal messages.

Brazilian twin artists Os Gemeos, Gustavo and Otavio Pandolfo, were recently in Milan, Italy, working on a large mural installation for Pirelli HangarBicocca’s new public art project, Outside the Cube. Their mural, titled “Efemero” (ephemeral) features one of their signature, colorful characters climbing up the hangar-shaped building, painted to look like a subway car. The site-specific piece also incorporates logos from international metro systems and personal messages.

“When we received the image of this building and straight away, we had this idea- We saw the building and said, ‘this is a subway car’ and really connect to what we love, trains and our background in graffiti,” the artists shared. “We just wanted to change this space, the whole entire building, and transform it into a big installation, like a sculpture.”

Os Gemeos have been making these connections between art and spaces for years, taking the shapes of buildings around the world, starting with their hometown in Cambuci in the 1980s, and merging them with the images that appear in their imagination. Featured here on our blog, their works are well known for their use of fantasy, created in various techniques of painting, drawing and sculpture. “We see what we do as art, very simple as that.”

In painting “Efemero”, Os Gemeos wanted to create an image that is linked to the life of the building, which used to house locomotives. As the hooded, squinty-eyed character scales the giant train, we can also imagine the young artists doing the same in their youth in Brazil. “Efemero is like life- like moments in life,” Os Gemeos says. “Your thoughts can be ephemeral, the way you see life can be very ephemeral, the way you share your emotions or love can be ephemeral.”

Photos by Andrea Concina.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
At Galerie Le Feuvre in Paris, works by Invader are presented in a new show called “Masterpieces.” Invader is the enigmatic street artist known for crafting square ceramic tiles into images that resemble digital, pixelated renderings throughout the past few decades. The gallery says that the show was triggered by “discovery of works dated from 1997.” The artist was featured way back in Hi-Fructose Magazine Vol. 2.
Currently on view at BC Gallery in Berlin, “VINCULO,” opened last Friday after the Argentinian artist JAZ (Franco Fasoli) completed his wildly affecting mural of a muscled, hunch-backed Minotaur crying out in what appears to be more likely help or defeat rather than glory. The two-story exhibition space is divided into two sections: in the basement, four-legged animals in various iterations – solo, running in packs, melded into a single abstract form – on blue backgrounds; and on the ground floor, larger-format paintings of ordinary men with animal heads fighting one another within the same monochrome settings.
Argentinian artist Franco Fasoli, aka JAZ (previously covered here), created this large-scale mural for Color Walk Festival, Mexico last week. The piece coincides with an ongoing national protest. Known as the 2014 Iguala Mass Kidnapping, on September 26th, 43 trainee teachers were abducted and apparently massacred by military forces.
Visitors to Versailles Palace this summer will be greeted by a new exhibition of sculptures by the British-Indian artist Anish Kapoor. From June to October, six of his works are on view in the Jeu de Paume room in Versailles and the gardens, where they are already sparking debate. This is because one of his creations is a 197 foot long tunnel of steel symbolizing "the vagina of the queen who takes power". Some say the piece is a disfigurement to history, however it has nothing to do with Marie Antoinette. In fact, it was first realized in 2011 for the Fabbrica del Vapore in Milan. Kapoor's bravado should come as no surprise. Known for his bold and large scale works, he is perhaps most recognized for his "Cloud Gate" in Chicago's Millennium Park and "Sky Mirror," exhibited at the Rockefeller Center in New York. Reinterpreted here, they are ambitious manipulations of form using reflective surfaces to being evocative of flesh and blood.

Subscribe to the Hi-Fructose Mailing List