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The New Contemporary Art Magazine

Hi-Fructose Volume 32 Preview!

Our next print issue of Hi-Fructose New Contemporary Art Magazine (which arrives in July) features a beautiful cover and feature and a beautifully-printed special 16-page insert by Travis Louie, we chase clouds with the murals and art of Sainer and the ETAM CRU, discover the animal portraits of Susan Siegel, Andy Gilmore's hallucinatory graphics, Eric Wert's intense still-lives, Shawn Huckins's modern painted text messaging meets old masters mash-ups, painter Casey Weldon's bright and bold surreal works, Mark Gmehling's 3D distortions, and a major feature on the art of Sam Wolfe Connelly! Plus we journey into hell in with a new stereoscopic book review and take a look at Dima Drjuchin's Lil Goof and more! Pre-order a copy today! See more sneak peeks of the issue after the jump.

Our next print issue of Hi-Fructose New Contemporary Art Magazine (which arrives in July) features a beautiful cover and feature and a beautifully-printed special 16-page insert by Travis Louie, we chase clouds with the murals and art of Sainer and the ETAM CRU, discover the animal portraits of Susan Siegel, Andy Gilmore’s hallucinatory graphics, Eric Wert’s intense still-lives, Shawn Huckins’s modern painted text messaging meets old masters mash-ups, painter Casey Weldon’s bright and bold surreal works, Mark Gmehling’s 3D distortions, and a major feature on the art of Sam Wolfe Connelly! Plus we journey into hell in with a new stereoscopic book review and take a look at Dima Drjuchin’s Lil Goof and more! Pre-order a copy today!


Casey Weldon


Sam Wolfe Connelly


Sam Wolfe Connelly


Shawn Huckins


Travis Louie


Sainer


Mark Gmehling


Eric Wert


Susan Siegel


Andy Gilmore

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This weekend, Merry Karnowsky will celebrate the opening of two exhibitions- Lezley Saar's solo exhibition "Monad", alongside group show, "Parallel Universe." It is a combination of artists who transport us into alternate realities with their art. For her previous exhibition at Merry Karnowsky, covered here, Lezley Saar touched upon divine aspects of womanhood in a 19th century inspired installation. This concept is apparent in her show "Monad", after the Divine first being or totality of all beings. More after the jump.
Shawn Huckins combines Internet culture and 18th- and 19th- century style portraits in his work. He offers a new collection of large acrylic paintings in "Athenaeum (I Can’t Pretend That This Is Poetry," an upcoming show at Seattle's Foster/White Gallery. The artist was featured in Hi-Fructose Vol. 32, and he was last featured on HiFructose.com here.
Praeteritum Nunc Futurum. Translation: Past, present, and future. Tomorrow night, Merry Karnowsky gallery closes out the year with past and new works from their roster, serving as a preview of 2015. References to time can also be found, as in the Victorian subjects in Lezley Saar's piece, or Nicola Verlato's sweeping scene starring Kimbra in an old Western gone wrong. Preview after the jump!
On March 5, Seattle's Roq La Rue Gallery will present two solo shows from artists with distinct aesthetic sensibilities. Sam Wolfe Connelly (who was featured in HF Vol. 32) continues his exploration of the subtly sinister with a new series of drawings and paintings called "And Here I Lay." Often set in (nearly) empty houses in remote locales, his work takes on the quality of a mysterious shadow one sees in the corner of one's eye. It has an ambiance of foreboding that can't be easily explained. The cityscapes in Liz Brizzi's concurrent show, "Anagrams," are desolate as well, but her busy mixed-media work departs greatly from Wolfe's sparse paintings. Brizzi combines digitally manipulated photography, collage, and painting on wood panel to create portraits of unpopulated metropolises that look familiar yet alien because of their stillness.

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