Menu
The New Contemporary Art Magazine

Maria Teicher Exhibits New Hyper-real Portraits in “Here Together, So Alone”

Hyper-realist painter Maria Teicher, featured here, likens the experience of being an artist to being in high school. As a student, she felt like an outcast who didn't quite fit in, a "loner" forced into an artificial social dynamic. Teicher explores this theme in per paintings, which portray people in powerless moments, often wrapped in "veils" that distort their faces. Her work almost stops your breath, not only for her impressive use of the oil medium, but because you can feel the moment of constriction. For her latest body of work "Here Together, So Alone" at Arch Enemy Arts in Philadelphia, Teicher observes how we group ourselves together as humans while remaining inexplicably alone.

Hyper-realist painter Maria Teicher, featured here, likens the experience of being an artist to being in high school. As a student, she felt like an outcast who didn’t quite fit in, a “loner” forced into an artificial social dynamic. Teicher explores this theme in per paintings, which portray people in powerless moments, often wrapped in “veils” that distort their faces. Her work almost stops your breath, not only for her impressive use of the oil medium, but because you can feel the moment of constriction. For her latest body of work “Here Together, So Alone” at Arch Enemy Arts in Philadelphia, Teicher observes how we group ourselves together as humans while remaining inexplicably alone. The clear, veiled pieces that envelop her figures are meant to represent masks, which she says mirror our personalities. Sometimes, a lip, an eyelid, or article of clothing peeks through, revealing the true form that is underneath. In her show statement, Teicher says, “People are always covering pieces of themselves to be well mannered, accepted, more liked, etc. Sometimes our masks are transparent and sometimes they are more opaque. This process can be quite suffocating in certain situations.” The centerpiece of her exhibit is a piece portraying two figures wrapped by a veil; lovers slightly separated by the material that binds them and unable to fully complete their embrace. They are together, while still being alone.

Maria Teicher’s “Here Together, So Alone” is now on view at Arch Enemy Arts in Philadelphia through November 1st, 2015.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Beijing based artist DU Kun incorporates his passion for rock music into his new oil painting series titled "Revels of the Rock Gods". His works, which just debuted at Mizuma Gallery in Tokyo, Japan, are monumental portraits of rock musicians that appear carved out of mountains, cliffs, oceans, stones, trees and waterfalls. His first profession while he was in art school was as a rock musician himself, and has since frequently demonstrated his musical prowess. The artist began working on his "Gods of Rock Festival" series in 2014, creating the works out of his own experience with rock music.
Jennybird Alcantara’s absorbing, vivid oil paintings blend the surreal and the fantastical. In a new show at KP Projects in Los Angeles, titled “Reveries of the Untamed Darlings,” the artist offers a new collection of works. Alcantara was last mentioned on HiFructose.com here. The gallery describes her work as “an epic fantasy, where the untamed are the gatekeepers of the mysterious beyond.”
Canadian artist Mark Heine is working on a series of oil paintings inspired by sirens, mythical maidens of the deep. Like his subjects, which are equally beautiful and haunting creatures, Heine's paintings embody both beauty and feelings of unease. His work has inspired polarizing reactions; some viewers feeling discomfort, while leaving others entranced. Perhaps this feeling of discomfort can be attributed to Heine's use of tension, as in the way his sirens just barely reach the surface to breathe, or linger above it. Although his premise is based on mythology, it is coupled with a heightened sense of realism.
The bold, dynamic oil paintings of French artist Cedrix Crespel use atypical perspective, a graphical approach, and abstractions. The subjects and backdrops recall the femme fatale of comic books and street art. In a statement, the artist offers insight into the ever-present female form in his works.

Subscribe to the Hi-Fructose Mailing List