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Prehistory Collides with the Future in 1986’s Flora and Fauna

In the imagination of 1986, Frankenstein creatures made of sheeps' skulls, spoons and scrap metal inhabit a world populated by steel flowers and paper birds. Georgie Seccull (aka 1986) is the Melbourne-based artist behind the fantastic installations, whose gigantic scale and raw aesthetic are reminiscent of prehistoric times. Using a combination of salvaged and recycled materials, 1986 builds installations with eccentric materials like computer parts and utensils for the wings of beetles. By merging organic matter like bamboo leaves, acorns and kumquats with modern instruments used in technology and mechanics, 1986 hurls forces of the past and future together to create otherworldly beings in the present.

In the imagination of 1986, Frankenstein creatures made of sheeps’ skulls, spoons and scrap metal inhabit a world populated by steel flowers and paper birds. Georgie Seccull (aka 1986) is the Melbourne-based artist behind the fantastic installations, whose gigantic scale and raw aesthetic are reminiscent of prehistoric times. Using a combination of salvaged and recycled materials, 1986 builds installations with eccentric materials like computer parts and utensils for the wings of beetles. By merging organic matter like bamboo leaves, acorns and kumquats with modern instruments used in technology and mechanics, 1986 hurls forces of the past and future together to create otherworldly beings in the present.

Topics

1986, flowers, George Seccull, installation, sculpture

José Manuel Castro López, sculpture

February 11, 2016

A sculptor based in Coruña, Spain seems to be defying the laws of nature with his amazing malleable stone sculptures. His name is José Manuel Castro López's and his works are actually a trick of the eye. They are made out of natural materials like granite and iron oxide, from which he crafts his rock-like formations with folds, wrinkles and flaps as if they were made of clay or skin, as in his "Faces" series where smiling and grimacing human faces are carved out of the solid material. Providing some of the stones' fleshy appearance, one could say they almost appear to be alive.

Lene Kilde’s Wistful, Sparse Figurative Sculptures

Lene Kilde, metalwork, sculpture

February 8, 2017

Lene Kilde, a sculptor based in Norway, creates works in which disparate body parts create fanciful scenes. At first glance, these sculptures may appear ominous or bleak, but further time spent with the work offers hints at wistful and youthful action. Or as Kilde says in a statement,“her intention is to invite the audience to use their own imagination so that they can complete the sculptures and fill in the lines and volume by themselves.The sculptures consist (of) concrete, metal mesh and air.”

This Artist’s Hug Machine Smooshes You (In a Good Way)

Installation Art, Lucy McRae, sculpture

October 24, 2019

Lucy McRae's new "Compression Carpet offers a full embrace for those who feel like they need a hug, a meditation on how technology can aid intimacy or support. The "body architect" recently showed the device at Festival of the Impossible in San Francisco. For some, the device may recall the hug machine created by Temple Grandin for stress relief and therapy. With her device, McCrae says, you "relinquish control to the hands of a stranger as your 'servicer' decides the firmness of your hug."

Pip and Pop’s Latest Confectionary Installations

installation, Pip and Pop

March 13, 2015

If Pip and Pop's colorful work looks good enough to eat, that's because it is — sort of. The artist creates bright, crystalline installations using sugary candy, glitter, and cheap toys and knickknacks. These elements accumulate into mystical, glimmering environments filled with pastel-colored sand dunes, rainbow-hued rocks, and enchanted-looking flora. Based in Australia, Pip and Pop began as a duo comprised of Tanya Schultz and Nicole Andrijevic. In 2011, Andrijevic left to pursue other projects and Schultz has been the brains behind the operation since, often inviting guest artists to collaborate with her. Since we last featured Pip and Pop in 2012 (here), she has created confectionary paradises at various venues in the Netherlands, Japan, Taiwan, and Australia. Take a look at her recent work below.

Prehistory Collides with the Future in 1986’s Flora and Fauna

José Manuel Castro López’s Amazing Malleable Stone Sculptures

Lene Kilde’s Wistful, Sparse Figurative Sculptures

This Artist’s Hug Machine Smooshes You (In a Good Way)

Pip and Pop’s Latest Confectionary Installations

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