Menu
The New Contemporary Art Magazine

Sculptor Jin Young Yu Makes US Solo Debut with “Myself/Them”

First featured in H-Fructose Vol. 12, Korean artist Jin Young Yu makes haunting sculptures with a mystifying use of transparency. She achieves the invisibility of her doll-like figures through a highly transparent plastic. Yu's deeply intimate works reflect on her emotional experience of adolescence, and more recently, mirror her adult personality. Opening on September 19th, she will make her US solo debut at Art Merge Lab in Los Angeles.

First featured in H-Fructose Vol. 12, Korean artist Jin Young Yu makes haunting sculptures with a mystifying use of transparency. She achieves the invisibility of her doll-like figures through a highly transparent plastic. Yu’s deeply intimate works reflect on her emotional experience of adolescence, and more recently, mirror her adult personality. Opening on September 19th, she will make her US solo debut at Art Merge Lab in Los Angeles. Titled “Myself/Them”, her latest series is massive, numbering at over 25 works that consist of her tall and gangly sculptures and an installation of flat acrylic pieces. These comprise of two major series never shown together: “Me & Myself”, and her more recent, “Me & Them”. Instead of trying to fit into the world, she says, Yu’s characters climb into a space of their own while rejecting the imposition of others. This also describes Yu herself, who feels uncomfortable with small talk and rooms full of people. So while her works exude quirkiness and individuality, they simultaneously represent a wanting to blend in. It’s a familiar struggle to most of us, told in a refreshing way through Yu’s unique mix of materials and style.

“Myself/Them” will be on view at Art Merge Lab’s popup space in Los Angeles from September 19 through October 17, 2015.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Most aspiring artists' dream is to quit their 9-to-5. Isaac Cordal's miniature sculptures make us acutely aware of the soul-sucking nature of a creatively unstimulating environment driven by habit and routine. Cordal molds legions of tiny, middle-aged men in suits who navigate dreary, oppressive environments. He places them in dioramas and sometimes even outdoors, creating scenes by utilizing elements of the existing architecture. His solo show "Moments de Solitude" opens on February 5 at Spacejunk Art Centers in Bayonne, France and will be on view there through April 4. The exhibit will travel to Spacejunk's other locations in Lyon (April 16 through June 6) and Grenoble (June 19 through July 25).
Christine Kim's practice is a blend of painting, drawing, and sculpture. The Toronto-based artist’s experimentations with layering and cutting works moves between both graphite drawings and painting. Each carry ghostly notes, each offering their own considerations of negative space.
Mexican artist Damián Ortega (covered here) reconceptualizes everyday objects in his sculptural installations. For twenty years, his creative interests have lied in the deconstruction of form and how things are assembled. His solo exhibition at HangarBiocca in Milan, Italy, "Casino," is also a retrospective of his most famous works through today. This includes his new installation, "Zoom," made for the event. The experience of viewing his artwork has been described as "explosive," displaying a burst of energy, like an exploding star. Objects and vehicles such as his Volkswagon Bug, "Cosmic Thing," (2002) are transformed as a critique about technological innovation. See more after the jump.
Jaz Harold, a multidisciplinary artist based in New York and Tokyo, creates sculptures that mix the alluring with the unsettling. These works seem to treat the human body like a fungus, growing and duplicating itself and occasionally, behaving in a parasitic manner. The artist says her work “explores the connection between the ego, feminism, sexuality, and the flow of both inter- and intra-personal energy.”

Subscribe to the Hi-Fructose Mailing List