Menu
The New Contemporary Art Magazine

Swedish Artist Susanna Hesselberg Builds a Plummeting Underground Library

Swedish artist Susanna Hesselberg's latest work plummets deep into the ground Alice-in-Wonderland-style. “When My Father Died It Was Like a Whole Library Had Burned Down” (named after Laurie Anderson’s song "World Without End") is a mind bending reproduction of a library inherited by the artist from her father, created for Denmark's Sculpture by the Sea exhibition series. The biennial festival, which closed on July 5th, boasted 56 site specific installations along the Danish coast. Hesselberg's mysterious contribution is vertical tunnel framed by a piece of glass that allows viewers to peer into a dark tower books only visible by their spines. Hesselberg wanted to recreate the depth of loss or losing control, as one might experience when a loved one dies.

Swedish artist Susanna Hesselberg’s latest work plummets deep into the ground Alice-in-Wonderland-style. “When My Father Died It Was Like a Whole Library Had Burned Down” (named after Laurie Anderson’s song “World Without End”) is a mind bending reproduction of a library inherited by the artist from her father, created for Denmark’s Sculpture by the Sea exhibition series. The biennial festival, which closed on July 5th, boasted 56 site specific installations along the Danish coast. Hesselberg’s mysterious contribution is vertical tunnel framed by a piece of glass that allows viewers to peer into a dark tower books only visible by their spines. Hesselberg wanted to recreate the depth of loss or losing control, as one might experience when a loved one dies. Their obscurity is a signature of the artist’s work, who primarily practices photography where her subjects are obscured in playful, yet odd images. Interestingly, many of her photographs portray people peering into objects such as mirrors, another Alice reference. A highly conceptual thinker, Hesselberg’s main objective is to create alluring imagery on the surface, where, she has said, “there shouldn’t be anything in the way when you are looking at it.”

Additional works:

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Marc Sijan's hyperrealistic figurative sculptures are both unsettling and vulnerable. The artist often depicts everyday people, from blue-collar workers and public servants to characters in their most vulnerable moments. And at times, works like "Birth" take on a more conceptual role.
Meredith James is like a latter day Alice in Wonderland documenting what she sees in her journey down and through a contemporary rabbit hole. Her videos, installations, and sculptures play with scale and trompe l’oeil to create optical illusions that are as disruptive as they are funny. In "Day Shift", a short video, she plays a security guard who, having just left work, crawls into the backseat of her SUV and reemerges as a miniature figure in the building's security monitor. In Ames Landscape, an installation, two figures stand in a glade. A large mountain reaches skyward in the distance. The space is configured so that, though the space is logically consistent, one figure stands much taller than the other. In Hallway, another installation, a door opens onto stairs that lead down to the basement. The stairs, of course, go nowhere because the space is flat. The fact that the illusion is a dead ringer for the space's actual stairs that lead to a real basement is not even remotely coincidental.
Crystal Wagner’s otherworldly installations are both spellbinding and unsettling. The works resemble something organic, yet are constructed from paper, wire, wood, paint, sealant, and other materials. Her recent pieces are part of the new show "Dimensions of Three" at Allouche Gallery in New York City, along with Martin Gremse and Reinoud Oudshoorn. The show starts Nov. 30 and runs through Dec. 31. The artist was featured in Hi-Fructose Vol. 41, and she last appeared on our website here.
Ben Young's sculptures of where the land meets the sea appear almost toy-like. Unlike experiencing a large body of water in real life, where we become instantly aware of our comparative smallness, Young's work makes natural phenomena appear contained and perfectly comprehensible. Young, who is based in Australia, crafts these "Broken Liquid" sculptures using a combination of aqua-tinted glass and cast bronze. Despite his pieces' impressive level of detail, he insists that he uses a completely analog process from start to finish. Meticulously crafted, his sculptures resemble slices of landscapes that we can hold in the palms of our hands.

Subscribe to the Hi-Fructose Mailing List