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The New Contemporary Art Magazine

Hi-Fructose 72 Sneak Peek!

This issue features a plethora of issue exclusive articles, printed on fine art papers, Hf 72 features a cover feature and Special Insert Section on the works of Felicia Chiao, the drawings of Spike Milliken, Trash talking with Mike Leavitt, Niv Tishbi’s disturbing parade of sculptures, the personal paintings of Anthony Hurd, the surrealistic paintings of Rafael Silveira, The more than real botanical paintings of Eric Wert, Cracking Art’s invasive animals, Lee Gihun’s animal narratives, Plus a review of the new Alexander Girard monograph, the Susannah Kelly Art Awards and a preview of the Line Addicts show curated by Hi-Fructose!  

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Also, for this issue, we have a special limited edition cover, with artist Lee Gihun!

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Layers: The Art of Erik Jones

With their color palettes like rare, tropical birds, Erik Jones’ paintings present beauty as it might exist in a vacuum. Or at least that’s the illusion. Read the entire article by Nastia Voynovskaya by clicking above...

Good Pain: The Broken Skate Deck Sculptures of Haroshi

Discussing Haroshi's work is impossible without having a conversation about skateboarding. The Japanese artist's wood sculptures—objects composed of skate decks that look as if they have been melted into new forms through an obscure alchemy—balance loud, in-your-face subject matter with painstakingly laborious craft. Read all about the artist by clicking above!

New Hi-Fructose Video with Anthony Hurd

Less than two years ago, New Mexico painter Anthony Hurd completely changed the subject matter depicted in his paintings, focusing on themes which related to the artist on a more personal level. While Hurd’s graphic paintings of dynamic skulls were quite popular, his painterly depictions of male figures having intimate moments are simple and powerful. See the full video here!

Maud Madsen Explores the Gaps Between Memories

Madsen’s narrative, semi-autobiographic paintings frequently position young adults inside spaces made for children. Their bodies might be awkwardly crammed inside toy cars or between narrow school bus seats. Other times, Madsen places the characters in the midst of situations associated with childhood and adolescence, tapping into the complicated mix of emotions that come with memory. Read Liz Ohanesian's full article by clicking above.
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