Menu
The New Contemporary Art Magazine

Yuichi Ikehata’s Figures a Mix of Analogue, Digital

Surreal and haunting, Yuichi Ikehata creates works that begin as figurative wire sculptures and garner new life via digital flourishes. The Japanese artist’s meticulous process ensures that it’s difficult to tell which parts of the structure are part of the tangible framework. The final product, though elegant, seems to convey a world in which we’ve lost and eroded ourselves to technology.

Surreal and haunting, Yuichi Ikehata creates works that begin as figurative wire sculptures and garner new life via digital flourishes. The Japanese artist’s meticulous process ensures that it’s difficult to tell which parts of the structure are part of the tangible framework. The final product, though elegant, seems to convey a world in which we’ve lost and eroded ourselves to technology.

“The world of reality and non-reality,” the artist describes. “They are very intimate, so it is not too much to say that they are almost one. We touch non-reality with reality as a key and sometimes touch reality using a key of non-reality. Reality is beautiful, sad, funny and completed, but happens nothing there. Fragments that cut out of reality already show a fictitious world. I collect the fragments, edit, arrange and capture them. It is just a ‘pure myth.’ However, my real world.”

See more of his works below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
In recent work, Gil Bruvel carefully arranges pieces of wood, with startling faces emerging. This is just one example of the sculptor’s work, which also spans metalworking, oil painting, and several other mediums. The artist’s larger sculptures, in particular, tend to render the human head in unexpected ways.
In his current show at Honor Fraser in Los Angeles, Kenny Scharf shares wild new works that include new mixed-media paintings, sculptures, assemblages, and more. “Optimistically Melting!” takes over the space through Nov. 16, and in it, viewers find an veteran artist who maintains his graffiti sensibilities yet constantly pushes his interests into new arenas.

AJ Fosik

It's the 50th volume of Hi-Fructose! This landmark issue features: the figurative paintings of Prudence Flint, the suspended collage sculptures of Dustin Yellin, the dynamic painted illustrations of Shoichi Okumura, the graphic paintings of DABSMYLA, the beautiful and foreboding watercolor paintings of Annie Owens, the intricate upcycled trash sculptures of Bordallo II, the latest work of Audrey Kawasaki, a review of the latest documentary on Meow Wolf, and a gold foil-stamped cover feature on AJ Fosik! Plus a 16-page special insert section the paintings of Jason Limon and more. HF Vol.50 arrives in January. Subscribe today and receive the subscriber-exclusive Coloring Book. And see more previews on the click-through. Reserve a copy here, and for subscriptions, head here if you live in the U.S. and here for Canadian subscribers.
Paolo Del Toro has been quickly gaining recognition for his large, felt sculptures of faces that come alive with exaggerated features caught in active poses.Click above to read all about his unique approach to creating large-scale felted sculptures.

Subscribe to the Hi-Fructose Mailing List