Menu
The New Contemporary Art Magazine

The Spaghetti-Filled Designs of Alice Pegna

Using the unexpected material of spaghetti, designer-artist Alice Pegna creates elegance and striking pieces adorning mannequins. Her series, "Ex Nihilo," features ongoing experimentation that encompasses headdresses, dresses, and objects. The strands’ rigid, uncooked form allows the artist to craft geometric designs, culminating in the bold final result seen below.


Photography by Jacques Peg, Created and designed by Alice Pegna

Using the unexpected material of spaghetti, designer-artist Alice Pegna creates elegance and striking pieces adorning mannequins. Her series, “Ex Nihilo,” features ongoing experimentation that encompasses headdresses, dresses, and objects. The strands’ rigid, uncooked form allows the artist to craft geometric designs, culminating in the bold final result seen below.


“Photography by Jacques Peg, Created and designed by Alice Pegna


“Photography by Jacques Peg, Created and designed by Alice Pegna


“Photography by Jacques Peg, Created and designed by Alice Pegna

“In my experiments I wanted it solid, structured, a bit unlike what it gets when cooked, so I decided to mount it in a structure, fixing them to each other, creating polygons of which the peculiarities make the spaghetti resistant,” the artist says. “And then I started to think about Ex Nihilo’s concept by looking not just at the structure, but at the emptiness she was showing behind her. The structure reworked the space around and in it. The idea then came to rework the human body, to divert it, to change the way we look at it by hiding it as little as possible.”

Read more about this project on her site.


“Photography by Jacques Peg, Created and designed by Alice Pegna


“Photography by Jacques Peg, Created and designed by Alice Pegna


“Photography by Jacques Peg, Created and designed by Alice Pegna


“Photography by Jacques Peg, Created and designed by Alice Pegna

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Animals take on a special meaning in San Francisco based artist Erika Sanada's work, whose sculptures of cute "zombified" puppies, rats, and baby birds represent a sort of escapism from her anxiety. In an effort to embrace and defeat her demons, so to speak, Sanada created her "Odd Series", which was featured on our blog back in August and in Hi-Fructose Vol. 31. Since that time, her sculptures have evolved into more positive displays of her characters, who often interact with eachother in playful chases and tug of wars. Sanada expands on her ongoing series with her solo exhibition, "Balancing Act", now on view at Abmeyer + Wood Fine Art in Seattle.
Italian artist Mauro Perucchetti is instantly recognizable for his eye catching colored resin figures. Among these, one series in particular stands out for its stark contemporary twist on well known sculptures. Perucchetti describes his "Modern Heroes" series as classic-pop, fiberglass re-imaginaings of works by master artists like Michaelangelo and Auguste Rodin. In his statement, Peruchetti writes that he "unites Pop aesthetics with social comment to address some of the most pressing and difficult issues in today’s society in a way that is subtle and accessible, without being trite, shocking or obscure." Since May of this year, "Modern Heroes" has been featured at the Pacific Design Center in Los Angeles.
For five years in a row, the open air exhibition "Sculpture in the City" has brought some of the best contemporary artists to the public in London. Opening this week on July 9th, this year's installment will feature new works by Ekkehard Altenburger, Bruce Beasley, Adam Chodzko, Ceal Floyer, Laura Ford, Damien Hirst, Shan Hur, Folkert de Jong, Sigalit Landau, Kris Martin, Keita Miyazaki, Tomoaki Suzuki, Xavier Veilhan, and Ai Weiwei. The exhibit merges the new with the old as their works are set against the city's most historic landmarks. Take a look at more photos of Sculpture in the City 2015 as it comes together, after the jump.
Hans Hemmert uses balloon sculptures to explore the idea of space and form, having the objects take the place of human figures and massive structures. The artist evolved from the human-sized, yellow works of the 1990s to a recent assemblage that takes the shape of an enormous tank.

Subscribe to the Hi-Fructose Mailing List