Chen-Shun Lin’s unsettling sculptures carry their own, ongoing narratives. Whether it’s the physics of a piece or the content itself, the off-kilter nature of the works suggest a purposeful tension with each work. And often, the artist’s figurative pieces, though at times troubling, carry an unexpected grace.
“His sculptures are characterized by changes in appearance,” a statement says, as translated. “He concerned about the environment, social, human issues, and he is good at using clay, oil color, ready-made to interpretation of his sculptures, and he is good at taking people as the core of his creation, focusing on the experience of conflict in the total general consciousness of today’s society and paying attention to the phenomena of lifelessness caused by social development.”
See more of the artist’s work below.
Prague artist 
Kim Yun Soo is a Korean multi media artist whose work spans from mixed media sculpture and installations to photography, but perhaps her most compelling work is an ongoing series of PVC footprints, dramatically transformed into surreal mountainscapes. Since 1999, Soo has been collecting the fingerprints and footprints of her close friends and acquaintances, recording their unique shapes and spirals and giving them a new dimension inspired by the natural world. Many of her works resemble a wave, where a single footprint ripples out into stacked shapes and contours, forming a sort of topographical map of their owner that she arranges in simple displays.
In constructing her photographs,