Menu
The New Contemporary Art Magazine

The Photography and Installations of Kahn & Selesnick

Recent photography and costuming work by the duo Kahn & Selesnick chronicles the travels of Truppe Fledermaus, a cabaret troupe of “would-be mystics who catalogue their absurdist attempts to augur a future that seems increasingly in peril due to environmental pressures.” The “Book of Fate” works showcase the pair’s talents in both installation work and crafting narratives.

Recent photography and costuming work by the duo Kahn & Selesnick chronicles the travels of Truppe Fledermaus, a cabaret troupe of “would-be mystics who catalogue their absurdist attempts to augur a future that seems increasingly in peril due to environmental pressures.” The “Book of Fate” works showcase the pair’s talents in both installation work and crafting narratives.

Kopeiken Gallery says that in this body of work, “the artists also examine the notion of the carnivalesque. During such brief times of anarchy, societal pressures were relieved by revealing their absurd and arbitrary natures. Costumes and masks were worn so that people might have the same social status during the duration of the festival. The Truppe ask you to consider: is it the carnival that is upside-down, or perhaps the real world that it purports to burlesque?”

See more work from the series below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Photographer Shinichi Maruyama employs cutting-edge technologies to capture elegant and abstract images of liquid and human forms in motion. In a series entitled “Kusho,” which is part performance and part image making, Maruyama throws black ink and water into the air and records the moment the two separate mediums collide. Although these images could only have been captured using brand new strobe light technologies, Maruyama still draws his inspiration from timeless artistic practices and preoccupations. In his artist statement, he writes about memories of writing Chinese characters in sumi ink as a young student: “Once your brush touches paper, you must finish the character, you have one chance. It can never be repeated or duplicated. You must commit your full attention and being to each stroke.” Like the brushes of ink on paper, each depiction of the ink’s flight through the sky represents a fleeting moment that can never be recreated.
South African designer Justin Plunkett’s “Con/struct” series has more in common with the digitally-fabricated renderings of speculative architecture than documentary photography, but it illustrates an eerie collision of both formats. The images are built from a combination of photography, 3D modeling and substantial post-production editing, to form street-level perspectives of futuristic urban fantasies.
Azuma Makoto’s known for his ambitious flower art, manipulating nature into something new, yet still maintaining its beauty. With the “In Bloom” project, he’s taken his sensibilities to space. Makoto’s been sending bouquets to space with specialized balloon vehicles and cameras. The result is something that combines the inherent exquisiteness of the Earth and its surrounding bodies.
The women in Zhang Jingna's photographs look so pristine that at a first glance, they appear painted. The New York-based artist styles them in flowing, ruffled gowns and adorns them with flowers and jewels.

Subscribe to the Hi-Fructose Mailing List