Menu
The New Contemporary Art Magazine

Azuma Makoto’s Photographs of Bouquets Sent Into Space

Azuma Makoto’s known for his ambitious flower art, manipulating nature into something new, yet still maintaining its beauty. With the “In Bloom” project, he’s taken his sensibilities to space. Makoto’s been sending bouquets to space with specialized balloon vehicles and cameras. The result is something that combines the inherent exquisiteness of the Earth and its surrounding bodies.


Azuma Makoto’s known for his ambitious flower art, manipulating nature into something new, yet still maintaining its beauty. With the “In Bloom” project, he’s taken his sensibilities to space. Makoto’s been sending bouquets to space with specialized balloon vehicles and cameras. The result is something that combines the inherent exquisiteness of the Earth and its surrounding bodies.

Makoto offers some insight into how this incarnation of the series had to be planned: “For this installment, the subject – the flowers – will be significantly larger and heavier than in our first installment,” the artist wrote. “Weighing approximately 6kg with a diameter of approximately 1.5m, we will launch this huge ‘bouquet’ from the Love Lock Desert of Nevada, US. The bouquet will then be arranged around the structure of the Earth. Although we were previously not able to due to the weight limit, for this project we will be using a medium-format mirrorless camera to best capture the process of change and movement in the flowers in full clarity. The ever-changing landscape of the flowers, the changes in lighting and contrast from the direct rays from the sun, the ways in the which the flowers will react in an environment of -60°C, and the way in which they will scatter and fall back to the ground… we will record this epic documentary of the flowers’ progress from ground to heavens, and back.”

Makoto was last featured on HiFructose.com here. See past experiments with “In Bloom” below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Look down. Hiding between sidewalk cracks and under train tracks, you just might find one of the people who inhabit Joe Iurato's miniature world. The New York-based artist cuts people from wood and photographs them in active positions within cities and landscapes. The resulting photographs are endearing miniature reflections of the world. By placing his cutouts in familiar settings, Iurato draws attention to the details in our greater environment. Furthermore, by painting the works in black-and-white, the artist creates a sense of nostalgia, especially around his portraits of men walking along train tracks.
Haruhiko Kawaguchi, also known as “Photographer Hal,” released the book “Flesh Love” five years ago this December. The book took couples the artist met at Tokyo clubs and had them pose inside a vacuum-sealed bag. In this process, Kawaguchi only had 10 to 20 seconds to take the photos, in order to avoid danger for his subjects.
Recent photography and costuming work by the duo Kahn & Selesnick chronicles the travels of Truppe Fledermaus, a cabaret troupe of “would-be mystics who catalogue their absurdist attempts to augur a future that seems increasingly in peril due to environmental pressures.” The “Book of Fate” works showcase the pair’s talents in both installation work and crafting narratives.
Mari Katayama's photography uses her own body as one of her materials. Born with a rare congenital disorder, the artist had her legs amputated as a child, and at times, her sculptural work emulates the features of her body that the condition caused. The resulting work explores identity, anxiety, and other topics.

Subscribe to the Hi-Fructose Mailing List